Participatory Question Sound Voice 
Museum 2.0
APRIL 2, 2014
It is what it sounds like: a book of original sheet music, beautifully designed and complemented with artwork and text. Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. Song Reader didn''t come as a CD, or an LP, or a bunch of digital audio files.
Museum 2.0
SEPTEMBER 18, 2013
This post shares some of the most interesting questions I''ve heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others?
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Museum 2.0
MARCH 3, 2011
In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. This winter, I once again taught a graduate class in the University of Washington's Museology program.
Museum 2.0
APRIL 25, 2011
This post shares some of the most interesting questions I've heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others?
Museum 2.0
JANUARY 9, 2017
Hosted by a sound art collective, Ultra-red, the 2015 event promised "to investigate listening as a political activity and to interrogate the stakes of participation in neoliberalism." When should you turn down the invitation to share your voice? There are many ways for voices to get chopped and twisted.
Beth's Blog: How Nonprofits Can Use Social Media
APRIL 21, 2015
And, finally, with the rise of data and automated generation, leaders need to ask and answer questions with data, and faster. As the book points out, while fast, frequent, and informal makes it all sound easy, there is an art to it. Sharing has to help spread authenticity, emotion, and point of view.
Museum 2.0
MAY 24, 2011
In GISKIN, Pandora and Drake aren’t museum people: they have no special knowledge; they ask the same questions the audience is asking and don’t always get answers. They leave LOTS of room for the audience to ask their own questions and fill in their own answers. The freedom to ask questions, however, will feed someone for a lifetime.
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