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Museum 2.0 Rerun: Answers to the Ten Questions I Am Most Commonly Asked

Museum 2.0

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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The J. M. Barrie Model for Museum Voice

Museum 2.0

For me, it's the beginning of chapter 8, in which J. William Goldman does something similar with The Princess Bride, commenting about dreadfully dull chapters he has omitted for the reader's sanity. But it's not so easy to integrate into larger-scale museum writing. What does Peter Pan make you think of? Julie Andrews?

Museum 20
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Answers to the Ten Questions I am Most Often Asked

Museum 2.0

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. Feel free to add your own questions and answers in the comments! The Museum 2.0 For more on the differences among different types of museums (with examples), check out this post.

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How Can You Attract New Audiences Without Alienating Your Base?

Museum 2.0

I don't know - and I hope you'll share your thoughts in the comments. Most museums that offer interactive exhibits, media elements, or participatory activities offer them alongside traditional labels and interpretative tools. So what's the solution? Dias de las Muertos or Chinese New Year to attract new audiences.

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Everyone's Smithsonian: Video, Slides, and an Open Strategic Planning Process

Museum 2.0

Two weeks ago, I conducted a participatory exhibit design workshop with staff at the Smithsonian National Museum of Natural History. Between the giant squid brainstorming and experimentation, I gave a talk to the larger Smithsonian Institution about multi-platform museum experiences. The slides are also available for download.

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Groundswell Book Club Part 3: Energizing

Museum 2.0

This week, we're covering the third objective in Charlene Li and Josh Bernoff's book Groundswell : energizing (chapter 6). In this post, an exploration of ways that museums can support promoters, convert detractors, and generally energize visitors to share their experience with others. Maybe a comment card or book.

Museum 20
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Groundswell Book Club Part 1: Listening

Museum 2.0

This week, we're covering the first objective in Charlene Li and Josh Bernoff's book Groundswell : listening (chapter 5). For many museums, visitor research--how people use the museum, navigate exhibits, and understand content--may be an equally important arena in which to adopt groundswell listening techniques.

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