Museum 2.0

MARCH 3, 2011

Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. This post shares my reflections on the projects and five things I learned from their work. As one participant said, "the museum feels friendly in a way it usually doesn't."

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Participatory Arts Audience Museum 51

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" In Your Face ).

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Saleforce Nonprofit

AUGUST 20, 2021

Workstream priorities should reflect this knowledge. Increased donor diversity results in revenue goals exceeded, and team diversity creates access to new networks and better, broader perspectives among teams. By executing on DEI initiatives, individual nonprofits and the sector at large will shift power dynamics in fundraising.

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Beth's Blog: How Nonprofits Can Use Social Media

JUNE 14, 2010

On Friday, I facilitated the final face-to-face workshop for the Social Media Lab for 25 arts organizations inspired by Thomas Edison’s approach. It was sponsored by the Hewlett Foundation, Wallace Foundation, San Francisco Foundation, Grants for the Arts, and the Koret Foundation. Contemporary Jewish Museum.

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Social Media Media San Jose Social 99

Museum 2.0

FEBRUARY 20, 2013

It started as a handout for a session that Stacey and I are doing at the California Association of Museums, and then I realized it was so darn useful that it was worth sharing with all of you. The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations.

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Collaboration Community Tools Museum 55

Museum 2.0

OCTOBER 18, 2011

We’ve been doing a little experiment at our museum with labels. The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. We decided to approach the label-writing for these boards in a participatory way. who were the surfers who used them?” “how

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Participatory San Diego Museum History 48

Museum 2.0

JANUARY 14, 2010

This external profile technique was also used at the US Holocaust Memorial Museum when it first opened to let visitors connect with the stories of particular people affected by the Holocaust. In Titanic , visitors are given "boarding passes" that tell the beginning of a story of a real person who traveled on the Titanic.

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Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.

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Audience Museum Participatory History 47

Beth's Blog: How Nonprofits Can Use Social Media

JULY 19, 2006

Last night's event brought back memories for me - of what it was like 13 years ago doing demonstrations at nonprofit conferences about online communities for arts organizations. Here's a few reflections from people in the room. A Museum group is also forming to discuss and explore what museum's can do in SL.

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Museum 2.0

NOVEMBER 10, 2009

Exhibit labels in science centers ask more questions than any other kinds of museums, and yet the questions are often awful--teacherly, overly rhetorical, and totally meaningless. asked by a cop or mother, garners the full attention of asker and askee alike, museum questions like "what is nanotechnology?," Leary (NRG!

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Reflection Research Question Museum 20

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

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Question Participatory Museum Evaluation 49

Museum 2.0

MARCH 15, 2010

People often ask me which museums are my favorite. I visit lots of perfectly nice, perfectly forgettable museums. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum. Some are scrappy and iconoclastic, like the City Museum in St.

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Support Museum St. Louis NSF 41

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 6, 2014

One of the themes I’m going to discuss is the Art and Science of Engagement. The art part includes all the ways nonprofits and schools can engage and connect with alumni of their programs through social channels. Register here. The work involves sifting, sorting, arranging, and publishing information.

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Museum 2.0

JUNE 28, 2017

Arts institutions have beat the innovation drum for decades now. Professionals share program models, exhibitions, and design techniques across organizations, often for free. Many of us are proud of how our cultural organizations reflect and respond to our local communities. Too much emphasis on innovation.

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Culture Organization Model Podcast 21

Museum 2.0

AUGUST 25, 2009

This technique was used in the Slavery in New York exhibition at the New-York Historical Society and continues in the popular StoryCorps project. When you want visitors to spend a long time reflecting and sharing their thoughts, you need to design spaces for response that are comfortable and minimize distractions.

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Design Goal Difference Platform 31

Museum 2.0

JANUARY 5, 2011

Note: This post is written in response to recent articles about museums by Arianna Huffington (on museums and new media) and Ed Rothstein (on museums and ethnic identity). I appreciate that you write about museums, and by doing so, publicize their work and efforts. Myth #1: Museums are about contemplation.

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Museum St. Louis Open Reflection 55

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 7, 2010

This year, Alan invited me to present a webinar for participants in the Marcus Institute Digital Education for the Arts on how Networked Nonprofits use Facebook. This post reflections on the training design as well as my content notes. I had hoped to find a good example of a museum or an arts organization with a custom landing tab.

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Facebook Network Museum Nonprofit 111

Museum 2.0

JUNE 12, 2012

It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution.

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Participatory Museum Blackboard Game 51

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 16, 2011

Here’s an example of 25 SMART social media objectives from arts organizations. Want to look at a few inspiring custom landing pages, check these out or cruise through these landing pages of art museums or other nonprofits. Jo Johnson over at the London Symphony is a master of this technique.

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Facebook Network Metrics Nonprofit 101

Museum 2.0

OCTOBER 22, 2008

There are lots of things visitors can’t do in museums. But what about the things that museum professionals can’t (or feel they can’t) do? This week at the ASTC conference, Kathy McLean, Tom Rockwell, Eric Siegel and I presented a session called “You Can’t Do That in Museums!” And so my question is, why are we keeping them away?

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Museum Professional Teen Map 20

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 13, 2007

I created this screencast back in September/October of last year, so this release has provided a great opportunity to meta reflect on the whole screencast creation process as well as consider how my views about the use of tagging have evolved. Tagging in Art Museums. t be accessed from different locations or computers. (3)

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