Museum 2.0

JULY 7, 2010

Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." We want to cultivate a more diverse audience, especially younger people, and we want to do it authentically." Audience development is not an exercise in concentric circles.

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Audience Museum Oakland Participatory 40

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 25, 2011

Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts. Together, Fox and Fledgling developed an intensive outreach strategy through more than 500 community screenings.

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Guatemala Movie Artist Award 93

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums. BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Yes and no.

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Museum Question Participatory Evaluation 45

Museum 2.0

JULY 23, 2014

The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. They invite people to participate: in design , prototyping , artifact interpretation , collections preparation , audience development. A strong participatory process is not a loosey-goosey, open the doors and do whatever strategy.

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Museum Product Participatory Community 53

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others? Yes and no.

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Question Participatory Museum Evaluation 49

Museum 2.0

MARCH 14, 2017

This is the second installation in a series of posts on the Santa Cruz Museum of Art & History (MAH)'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. The MAH fundamentally has two jobs: we bring art and history out into our community, and we invite our community in. We want to break out.

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Public Museum Arts History 27

Beth's Blog: How Nonprofits Can Use Social Media

JULY 3, 2009

On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. The most reliable question I'm using works in art museums. That's why I asked.

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Technique Question Design Develop 50

Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. The cumulative effect of participation.

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Museum Director Participatory Culture 55

Museum 2.0

MARCH 21, 2012

Art, however, does not come to museums pre-hardened. At the museum of art and history where I work, we are grappling with the question of how to help people enjoy themselves while keeping the art and artifacts safe. The level of touching, especially of art, has increased. Focus on family audiences.

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Museum Denver Artist Milwaukee 49

Museum 2.0

NOVEMBER 27, 2012

Do you consider yourself an "activist" for your organization, avocation, or art form? Sure, I admire cultural organizations that have a strong mission to change education or diversify access or transform the role of art in everyday life, but I'm an insider. It seems wonky and possibly confusing to talk strategy with visitors.

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Product Build Museum Arts 51

Museum 2.0

DECEMBER 3, 2019

As I imagined a world without Nina Simon ’s Participatory Museum , I felt sad about all the visitors whose voices (and post-it note comments) weren’t honored. These folks are taking content to the biggest audiences in the field, often without the resources or support of other content creators. The work is 24/7 and the pay can be 7/11.

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Museum Work Social Media History 21

Museum 2.0

APRIL 28, 2009

On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. The most reliable question I'm using works in art museums. That's why I asked.

Technique 52

Technique Question Design Develop 52

Care2

FEBRUARY 7, 2009

Resolution Two: "I resolve to use social and participatory media to expand my reach and brand." Get the low down on social media platforms and what social and participatory media entails. Convio says knowing your audience is key because the online tools you choose to use must align with the technical capabilities of your audience.

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Social Media Difference Advocacy Case Study 28

Museum 2.0

NOVEMBER 16, 2010

I spent some time playing with this question last week at the Milwaukee Art Museum, a large general museum that is moving toward redesign of the permanent galleries. It was a super low-tech "if you like this, check out that" strategy. Tags: design participatory museum usercontent. Do you interrogate the map? What would you do?

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Experiment Lesson Learning Museum 44

Museum 2.0

NOVEMBER 30, 2009

What happens when you combine reality TV tactics with a traditional art collection? This guest post, written by Philippa Tinsley, Collections Manager for the Worcester City Art Gallery and Museum (UK), describes the innovative Top 40 exhibition they mounted in the summer of 2009.

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Museum Chart Picture Arts 23

Museum 2.0

MARCH 15, 2010

It's not the extent to which they are participatory. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum. These institutions have three additional reasons for homogeneity: The audience cycles frequently as families "age out."

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Support Museum St. Louis NSF 41

Media Cause

DECEMBER 6, 2021

Strategy”, whose original sense is that of “the office or command of a general” is a plan for achieving long-term and complex goals carefully and deliberately. You can’t have a strategy without goals, though you can have goals without a strategy. Resources on “strategy” and goal-setting are vast.

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Strategy Guide Tips Nonprofit 52

Museum 2.0

SEPTEMBER 20, 2010

Audience segmentation and research has become a hot topic in museums, especially when it comes to crafting appealing offerings that are customized to different kinds of visitors. Some experiences completely cut across demographics - some people like parties, some people want a solitary experience with art.

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Interview Director Museum Arts 46

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. Our programming isn't for target audiences.

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Build Community Museum Artist 20

Museum 2.0

NOVEMBER 5, 2013

Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. To me, the backlash against participatory and community-centered experiences is not surprising.

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Participatory Museum Arts History 53

Everyaction

OCTOBER 5, 2016

Thousands of nonprofit pros rely on our annual Best Nonprofit Conferences Calendar to discover skill-building, strategy-slaying, network-enhancing nonprofit events. National Arts Marketing Project Conference. National Arts Marketing Project Conference. National Arts Marketing Project / Austin, TX / $575. 11/10/2016.

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Conference Calendar DC Washington 111

Museum 2.0

JANUARY 15, 2008

The Brooklyn Museum of Art is a great example of a museum really embracing these environments for community-building purposes. In this way, Tree of Promise takes a quick participatory in-museum experience—writing down a promise—and provides a supportive platform on which users can cultivate and substantiate that action.

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Museum Social Network Case Study Discussion 20

Museum 2.0

MAY 8, 2013

We''re more successful when we target particular communities or audiences and design experiences for them. In the past, I''ve subscribed to the theory that an organization should target many different groups and types of people to serve a constellation of specific audiences across diverse affinities, needs, and interests.

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Museum Social Arts History 55

Museum 2.0

JULY 30, 2014

Our work to transform the Santa Cruz Museum of Art & History into a participatory and community-centered place has been heavily supported by the James Irvine Foundation. The report is a slim 12 pages on the common characteristics of arts organizations that successfully and continuously engage diverse audiences.

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Report Malaysia Memphis Museum 52

Museum 2.0

FEBRUARY 24, 2011

I was talking this week with Mark Allen, the founder of Machine Project (an alternative arts space in LA), about different models for community engagement in cultural institutions. For example, consider two independent arts organizations in Los Angeles -- Machine Project and The Public School.

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Voice Los Angeles Denver Museum 42

Museum 2.0

MARCH 30, 2016

Our entire strategy at the Santa Cruz Museum of Art & History is rooted in community participation. When people ask if our work in Santa Cruz scales, I start by acknowledging our distinct strategy. But the strategies are different. Printmakers leading workshops. Teens advocating for all-gender bathrooms.

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Community Museum Local Participatory 20

Museum 2.0

APRIL 19, 2010

"How often do we hear colleagues from museums and galleries stating as their fundamental reason for working co-creatively with audiences that they want to make a great piece of museum work, rather than primarily for reasons of social inclusion or democracy?" It's an argument I wholeheartedly support. was the most overwhelming answer.

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Arts Participatory Museum Artist 22