2011 Model Profile Time 
Have Fun - Do Good
OCTOBER 10, 2012
I believe that new models of aging and senior life will emerge from this wave, and can't wait to see what is created, which is why I loved stumbling upon The New York Times article, For Healthy Aging, A Late Act in the Footlights. It profiles an innovative organization called EngAGE. In 2008, Tim was named an Ashoka Fellow.
Judi Sohn
MARCH 12, 2011
The organization I helped found as Colorectal Cancer Coalition in 2005 officially became Fight Colorectal Cancer on Monday, March 6, 2011. But I want to be clear: Is this something you can do with free tools in your spare time? I waited until the time was right. I reached out to Farra through her LinkedIn profile.
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Museum 2.0
OCTOBER 23, 2013
For a long time, I agreed with this argument. Consider two high-profile arts closures in 2013: that of Shakespeare Santa Cruz and the 3rd Ward. In 2011, we were on very shaky financial ground. Museum of Art and History Unusual Projects and Influences business models' Hence, death panels. Consider the museum I run.
Judi Sohn
MARCH 12, 2011
The organization I helped found as Colorectal Cancer Coalition in 2005 officially became Fight Colorectal Cancer on Monday, March 6, 2011. But I want to be clear: Is this something you can do with free tools in your spare time? I waited until the time was right. I reached out to Farra through her LinkedIn profile.
Beth's Blog: How Nonprofits Can Use Social Media
OCTOBER 14, 2011
They checked out the donors’s fb profile, and they could tell that she was in their key target demographic for new $$ donations. When staff research her in their donor database, they discovered she had attended our big fundraiser in Feb. as a first time donor.
Beth's Blog: How Nonprofits Can Use Social Media
MARCH 1, 2012
Resource packages like this are important because one of the big challenges, especially for smaller organizations, is the time it takes to get organized. With resources like this, organization’s don’t have to start from scratch.
Museum 2.0
OCTOBER 1, 2014
It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. And so this concept of asking visitors to spend some focused time thinking about their relationships with objects and artworks really made sense to me. How do you edit the stories?
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