Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

JANUARY 11, 2012

I can't say that any one experience--working on a collage with other visitors, swinging on a hammock, discovering a participatory display for pocket artifacts in the bathroom--directly contributed to increased attendance and giving. They all have in concert, and they build on each other.

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Audience Museum Participatory History 47

Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. They provide detailed case studies of projects in each area, including project descriptions, informal science education goals, participant training techniques, and evaluation outcomes.

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Public Research Participatory Report 36

Museum 2.0

APRIL 16, 2008

I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.

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Museum Participatory Artist Arts 24

Museum 2.0

DECEMBER 28, 2010

Every once in a while I come across a project I wish I could have included in The Participatory Museum. an exhibition produced with schoolchildren at the Wallace Collection in London, is a lovely example of co-creation that demonstrates the multiple benefits of inviting audience members to act as partners in arts organizations.

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Children Museum Create Project 46

Museum 2.0

MARCH 15, 2010

It's not the extent to which they are participatory. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum. The content is often seen as not being community-specific. But when I really think about it, all my favorites (so far) have one thing in common.

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Support Museum St. Louis NSF 41

Museum 2.0

DECEMBER 14, 2009

I used the example of the Yerba Buena Center for the Arts, which has a mission statement that includes unusual words like “bold” and “fearless.” I used the example of two very different exhibitions that solicited visitor-contributed content: Playing with Science at the London Science Museum, and MN150 at the Minnesota History Center.

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Project Museum Teen North Carolina 22

Museum 2.0

MAY 5, 2009

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! Some of the most interesting questions included: how do you verify the accuracy and authenticity of visitor-contributed content? Neither Click!

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Slides Participatory Museum Children 20

Museum 2.0

AUGUST 18, 2008

On 8.16.08, the Museum of Art and History (Santa Cruz, CA) hosted FreelanceCamp, a free unconference that brought 150 designers and techies from the south bay area together to talk shop. Several libraries have started to offer gaming nights where you can drink soda and play Wii to your heart's content. Other person: Nope.

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Museum Hosting Model Community 22

Museum 2.0

AUGUST 3, 2009

While there is much talk about supporting participation and making museum content relevant, the word "community" hangs like a poorly-defined carrot on a shtick. The article references connecting with young people via social media, at-risk youth via exhibit co-creation, and urban creatives via public art installations.

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Community Museum San Diego San Francisco 22

Museum 2.0

JUNE 27, 2008

Where do our eyes go to in art? How can we take eyes off of the TV and put them on art; how do we make the art as attractive as TV? It will be interesting to see how people react to the conference and whether they feel valued or put upon in the participatory sessions.

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Studies Associations Houston Museum 20

Museum 2.0

MARCH 17, 2010

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. But there were 52 people who spent several hours working on the project as content reviewers or copy-editors.

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Participatory Museum Process Experiment 32

Museum 2.0

SEPTEMBER 24, 2014

Two weeks ago, I wrote about t he use of the word "quality" in the arts and its many forms. Inspired by Stacy, I wanted to share some of the work we are doing at the Santa Cruz Museum of Art & History to clarify what we mean by engagement. This is a big year for us in naming and evaluating our work. Engagement?

Goal 48

Goal Museum Evaluation History 48

Museum 2.0

NOVEMBER 5, 2013

Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. To me, the backlash against participatory and community-centered experiences is not surprising.

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Participatory Museum Arts History 53

Everyaction

OCTOBER 5, 2016

The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. National Arts Marketing Project Conference. 11/10/2016.

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Conference Calendar DC Washington 111

Museum 2.0

JUNE 24, 2015

I’ve always been inspired by the creative ways the Brooklyn Museum uses technology to connect visitors to museum content. We began with a series of internal meetings to evaluate our current visitor experience and set a goal for the project. Our visitors were telling us they wanted personal connection and they wanted to talk about art.

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Museum Arts Interview Test 20

Museum 2.0

MARCH 5, 2014

Let''s say you create a station where visitors contribute content. Consider three very different talkbacks in the Santa Cruz Museum of Art & History''s fall exhibition, Santa Cruz is in the Heart: cocktail napkins, rear view mirrors, and refrigerator certificates. How do you measure success?

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Test Museum Participatory Measure 43

Museum 2.0

JUNE 15, 2009

You can explore the project wiki where we coordinated the exhibit, including the project overview , our six-week plan to get it all done, and individual sections for development of concept , content , interaction , graphics , marketing , fabrication , installation , and evaluation. Not so for the post-its.

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Advice Museum Facilitation Student 31

Museum 2.0

MAY 13, 2010

Oh, and they wanted it to be participatory. I talked with Sarah Rich , one of the project’s instigators and staff members, to learn more about 48 Hour Magazine and its implications for other participatory media projects. We had a really great custom content management system (CMS) built for us by one of our teammates, Dylan Fareed.

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Participatory Journal San Francisco Interview 36