Museum 2.0

OCTOBER 30, 2013

So consider this just the first of many posts related to issues of cultural inclusion, evaluation, and impact. We have some strategies for tackling this: convening diverse content advisors, incorporating anti-bias educational approaches in our design, developing participatory opportunities for visitors to connect past to present.

Measure 47

Measure Arts People Museum 47

Beth's Blog: How Nonprofits Can Use Social Media

MARCH 1, 2016

The Art of Good Closers. Participatory Facilitation Techniques. Evaluation. 6 Tips for Evaluating Your Training. How To Get Started Designing Peer Learning That Works. Peer Learning As A Prelude to Collective Action. I cebreakers and Closers. Group Polling Techniques and Tools. Creating a Network Map. Learning Styles.

Training 50

Training Train San Jose Instructional Design 50

Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. There were times when coordinating a fire art festival while researching social capital theory made me want to burn my computer. I learn a ton from her every day and wanted to share her thinking--and her graduate thesis--with you.

Museum 49

Museum Program Participatory Community 49

NTEN

NOVEMBER 4, 2014

Today, we want to introduce you to Leah Horn , Director of Marketing and Communications at the Western States Arts Federation (WESTAF). WESTAF''s mission is to strengthen the financial, organizational, and policy infrastructure of the arts in the West. What is your organization''s mission?

Donation 64

Donation Impact Share NTEN 64

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

JANUARY 11, 2012

I can't say that any one experience--working on a collage with other visitors, swinging on a hammock, discovering a participatory display for pocket artifacts in the bathroom--directly contributed to increased attendance and giving. They all have in concert, and they build on each other.

Audience 47

Audience Museum Participatory History 47

Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. They provide detailed case studies of projects in each area, including project descriptions, informal science education goals, participant training techniques, and evaluation outcomes.

Public 36

Public Research Participatory Report 36

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 29, 2006

I met Janet Salmons many years ago while I working on various arts and technology projects in New York State for the New York Foundation for the Arts. I started in the Cornell University Center for Theatre Arts , where I founded and directed two programs: Cornell Theatre Outreach and the Community-Based Arts Project.

Arts 50

Arts Community Online Intergenerational 50

Museum 2.0

AUGUST 9, 2011

It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. The area that houses the Creativity Lounge also shows art. Teenagers are curling up with art magazines. People love petting zoos.".

Museum 51

Museum Arts History Columbus 51

Museum 2.0

APRIL 16, 2008

I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.

Museum 24

Museum Participatory Artist Arts 24

Museum 2.0

DECEMBER 28, 2010

Every once in a while I come across a project I wish I could have included in The Participatory Museum. an exhibition produced with schoolchildren at the Wallace Collection in London, is a lovely example of co-creation that demonstrates the multiple benefits of inviting audience members to act as partners in arts organizations.

Children 46

Children Museum Create Project 46

Museum 2.0

NOVEMBER 16, 2010

I spent some time playing with this question last week at the Milwaukee Art Museum, a large general museum that is moving toward redesign of the permanent galleries. But a few people seemed nervous that we were trying to trick or evaluate them. Tags: design participatory museum usercontent. Do you interrogate the map?

Experiment 44

Experiment Lesson Learning Museum 44

Museum 2.0

MARCH 15, 2010

It's not the extent to which they are participatory. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum. I've only visited about 0.01% of the institutions out there and I suspect that the other 99.99% includes some real gems.

Support 41

Support Museum St. Louis NSF 41

Museum 2.0

DECEMBER 14, 2009

I used the example of the Yerba Buena Center for the Arts, which has a mission statement that includes unusual words like “bold” and “fearless.” Fourth, you need to find a way to evaluate what visitors do – and more importantly, to evaluate using criteria that are understood and appreciated by everyone in your institution.

Project 22

Project Museum Teen North Carolina 22

Museum 2.0

APRIL 3, 2009

We tried this at the Denver Art Museum last week, and it is incredibly challenging—you can’t just put out a box of chocolates and expect people to talk. I encourage you to take part and document your triumphs and spectacular failures on this site. Free workshop on topic of your choosing—Friday, April 24 in Seattle.

Experiment 20

Experiment Seattle Indianapolis Denver 20

Museum 2.0

MAY 5, 2009

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! It's a shame that several of these projects are labeled as "experimental" and don't have formal evaluation built into their cheap, fast processes.

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

JUNE 27, 2008

Where do our eyes go to in art? How can we take eyes off of the TV and put them on art; how do we make the art as attractive as TV? It will be interesting to see how people react to the conference and whether they feel valued or put upon in the participatory sessions.

Studies 20

Studies Associations Houston Museum 20

Museum 2.0

AUGUST 3, 2009

The article references connecting with young people via social media, at-risk youth via exhibit co-creation, and urban creatives via public art installations. Tags: participatory museum inclusion comfort. It means making some conscious choices that push your institution towards being more of a " third place. " Appreciate regulars.

Community 22

Community Museum San Diego San Francisco 22

Museum 2.0

NOVEMBER 5, 2013

Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. To me, the backlash against participatory and community-centered experiences is not surprising.

Participatory 53

Participatory Museum Arts History 53

Museum 2.0

SEPTEMBER 24, 2014

Two weeks ago, I wrote about t he use of the word "quality" in the arts and its many forms. Inspired by Stacy, I wanted to share some of the work we are doing at the Santa Cruz Museum of Art & History to clarify what we mean by engagement. This is a big year for us in naming and evaluating our work. Engagement?

Goal 48

Goal Museum Evaluation History 48

Museum 2.0

MARCH 17, 2010

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Several said things like, "I was curious to see how this kind of participatory, collaborative approach would work in practice."

Participatory 32

Participatory Museum Process Experiment 32

Museum 2.0

AUGUST 18, 2008

On 8.16.08, the Museum of Art and History (Santa Cruz, CA) hosted FreelanceCamp, a free unconference that brought 150 designers and techies from the south bay area together to talk shop. Evaluate the outcome. Projects participatory museum. Other person: Nope. Me: Me neither. Did you get what you wanted?

Museum 22

Museum Hosting Model Community 22

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? But for museum and art wonks, it could be. Several artists offer surprising insights into making participatory projects appealing to visitors. No, this is not a reality TV show.

Artist 39

Artist Museum Project Public 39

Everyaction

OCTOBER 5, 2016

The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. National Arts Marketing Project Conference. 11/10/2016.

Conference 111

Conference Calendar DC Washington 111

Museum 2.0

JUNE 24, 2015

We began with a series of internal meetings to evaluate our current visitor experience and set a goal for the project. The pilots showed us visitors were looking for a personal connection with our staff, wanted to talk about the art on view, and wanted that dialogue to be dynamic and speak to their needs directly. We have three goals.

Museum 20

Museum Arts Interview Test 20

Museum 2.0

MAY 8, 2013

At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. What started as a series of experiments and happy accidents is now embedded in how we develop and evaluate projects. Museum of Art and History programs social bridging' And rarely the twain shall meet.

Museum 55

Museum Social Arts History 55

Museum 2.0

MARCH 5, 2014

Consider three very different talkbacks in the Santa Cruz Museum of Art & History''s fall exhibition, Santa Cruz is in the Heart: cocktail napkins, rear view mirrors, and refrigerator certificates. design evaluation Museum of Art and History participatory museum usercontent' Each of these talkbacks was very different.

Test 43

Test Museum Participatory Measure 43

Museum 2.0

JUNE 15, 2009

You can explore the project wiki where we coordinated the exhibit, including the project overview , our six-week plan to get it all done, and individual sections for development of concept , content , interaction , graphics , marketing , fabrication , installation , and evaluation. Not so for the post-its.

Advice 31

Advice Museum Facilitation Student 31

Museum 2.0

APRIL 18, 2012

For a long time, I knew I cared deeply about designing from "me to we" --inviting visitors to form social connections through participatory experiences--but I couldn't express a clear reason why. I'm just glad it did--and I want to do whatever I can to make it happen more often. Social bridging is becoming my why.

Community 42

Community Teen Build Social 42

Museum 2.0

MAY 13, 2010

Oh, and they wanted it to be participatory. I talked with Sarah Rich , one of the project’s instigators and staff members, to learn more about 48 Hour Magazine and its implications for other participatory media projects. He set up an infrastructure for people to evaluate submissions by giving it a yes, no, or maybe, with comments.

Participatory 36

Participatory Journal San Francisco Interview 36