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Making Museum Tours Participatory: A Model from the Wing Luke Asian Museum

Museum 2.0

Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?

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Joint Statement from Museum Bloggers and Colleagues on Ferguson and Related Events

Museum 2.0

Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.

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Avoiding the Participatory Ghetto: Are Museums Evolving with their Innovative Web Strategies?

Museum 2.0

I just got home from the Museums and the Web conference in Indianapolis. I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Instead, I found a standard art museum. Impersonal guards.

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Guest Post: A New Role for Science Museums--Playground for Scientists

Museum 2.0

One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.

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Introducing Community Participation Bootcamp at the MAH

Museum 2.0

For the past five years, each summer, the Santa Cruz Museum of Art & History has hosted MuseumCamp. I've learned a lot from attending and teaching workshops this year. Develop compelling, powerful participatory offers and promises for your prospective partners. And it's not just for museum people.

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What Happens When a Viral Participatory Project is Too Successful? Diagnosing the Power of the Love Locks

Museum 2.0

And so, one of the most successful, accidental, and fraught participatory projects of the past decade comes to an end. No one planned the love locks, but their success is rooted in the same principles that make all the best participatory projects work: it requires no instructions beyond its own example. Nor are they historic.

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The Happy Healthy Social Change Activist: Passion for a Cause without Burnout

Beth's Blog: How Nonprofits Can Use Social Media

Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator. A mature employee knows how to manage up.

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