Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

APRIL 2, 2014

In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. If there are museum objects and visitors'' objects on display together, all should be afforded the same level of exhibit design, labels, etc. Constrain the input, free the output.

Participatory 52

Participatory Arts Music Learning 52

Museum 2.0

JULY 7, 2010

It requires trading a certain history for an uncertain future--a nerve-wracking prospect no matter the situation. Most museums that offer interactive exhibits, media elements, or participatory activities offer them alongside traditional labels and interpretative tools. This is incredibly scary. You can't always do "and."

Audience 40

Audience Museum Oakland Participatory 40

Museum 2.0

NOVEMBER 2, 2008

Today, Museum 2.0 I started the Museum 2.0 blog in 2006 as a personal learning exercise about "the ways that museums do and can evolve from 1.0 I started the Museum 2.0 blog in 2006 as a personal learning exercise about "the ways that museums do and can evolve from 1.0 and watched the Museum 2.0

Museum 20

Museum Voice Minnesota Participatory 20

Museum 2.0

AUGUST 25, 2009

Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." This is the opposite situation of the previous design goal, one typical in science and children's museums. A lone "What do you think?"

Design 31

Design Goal Difference Platform 31

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

OCTOBER 21, 2007

Some staff are wearying of the messiness, noise, and lack of structure in their new face. No one would contest the idea that most museum exhibitions, art shows, films, books, in short, most content experiences, have value both for the new and return user. Yes, Agents of Change was a transformative experience. First, the newcomer.

Experiment 20

Experiment Create Museum Amazon 20

EveryAction

MARCH 16, 2017

Whether quietly spearheading some of the world's most groundbreaking scientific and medical research or not-so-quietly leading revolutions on the battlefield, our history is ripe with stories of ferocious, adventurous, enlightened, and persistent women. Gabriela Mistral. Rosalind Franklin. Katherine Johnson, Dorothy Vaughan, and Mary Jackson.

Story 133

Story Angola Sierra Leone History 133

Museum 2.0

JUNE 16, 2020

Each week, I’ve been ceding the blog to others as a chance to hear many voices share their thoughts about our field, where we are, and where we are going. This field is varied, and each voice adds to our collective understanding of the situation. Andrea has been a leader in the museum technology field.

Museum 22

Museum Detroit Arts Leadership 22

Museum 2.0

NOVEMBER 5, 2013

"The words we use in attempting to change museum directions matter. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. I am glad this conversation is happening and that both museum professionals and local Santa Cruzans are engaged. But we do have ''and.''

Participatory 53

Participatory Museum Arts History 53

Museum 2.0

MAY 14, 2009

I've become convinced that successful paths to participation in museums start with self-identification. The easiest way to do that is to acknowledge their uniqueness and validate their ability to connect with the museum on their own terms. Who is the "me" in the museum experience? Not so at museums.

Museum 20

Museum Personal Experiment Profile 20

Museum 2.0

MARCH 10, 2010

This is the first of a four-part series on the behind-the-scenes experience of writing The Participatory Museum. Overview: Stages of Development and Participation Types The Participatory Museum was written over a 15 month period that began in December of 2008. Many of the book sections started as blog posts on Museum 2.0.

Participatory 21

Participatory Museum Statistics Process 21

Museum 2.0

FEBRUARY 23, 2010

The reward for participants of having your contribution displayed is fairly and clearly structured. It showcases diverse voices. Participating in this made me wonder: could a museum or library run a project like 3six5? The reasons to do so are many, particularly for a history-focused institution.

Participatory 34

Participatory Project Museum Journal 34

Museum 2.0

NOVEMBER 25, 2008

Why do you care about and or work in museums? I don't work in museums because I love them. I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries. When I visit a new city, I don't clamor to visit museums. I don't work in museums because I love them. I go on hikes.

Museum 29

Museum Alternative Education University 29