Museum 2.0

MAY 2, 2012

We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. THINGS I’M MOST PROUD OF: Redefining our role in the community. THINGS THAT SURPRISE ME: The central role of event-driven experiences.

Museum 55

Museum Director Participatory Culture 55

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). Yes and no.

Question 49

Question Participatory Museum Evaluation 49

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 20, 2015

For more on these projects and to meet the people behind them, check out the upcoming Games for Change Festival (April 21-23 & 25), NYC’s largest gaming event and the leading international event for games with impact, bringing together the social change community and game makers. government and encouraging participatory democracy.

Game 50

Game Tech Support Module 50

Media Cause

AUGUST 9, 2021

The idea of including stakeholders in the process is often referred to as co-designing, or participatory design. At Media Cause, we serve clients with a wide range of budgets, internal team sizes, and digital capabilities. As we look to make an impact, how can we invite community members to create with us from the start?

Design 52

Design Experiment Nonprofit Collaboration 52

Museum 2.0

JUNE 18, 2014

Who their role models are. International stars like Pele captured attention on the airwaves. When we talk about embracing participatory experiences at non-professional levels, arts professionals often get worried that the best work will get drowned out in mediocrity. What kinds of tools and media they can access.

Arts 47

Arts Build United States Audience 47

Museum 2.0

MAY 22, 2012

The majority of the book is a tour of the conceptualized physical institution, with smaller sections devoted to the political history of the project and the activities (mostly participatory, distributed, and digital) that the team undertook from 2009-2011 to start building their constituency. The early participatory projects are terrific.

Museum 36

Museum History Netherlands Create 36

Museum 2.0

SEPTEMBER 7, 2010

Since 2003, Elsewhere Collaborative has been exploring the role that collaboration plays at the intersection of the store and museum through its living museum and international residency program set in a former thrift store in downtown Greensboro, North Carolina.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Museum 2.0

JULY 10, 2018

The book explains how to host events with purpose, drawing lessons from intimate parties, mass happenings, and international summits. Creating event-specific rules can level the playing field, make the implicit explicit, and create a specific culture for the event. First names only. Everyone must wear a hat. Sit next to a stranger.

Hosting 31

Hosting Arts Help Museum 31

EveryAction

APRIL 1, 2016

Its 45 workshops, seminars and lectures explore internal and external strategies, systems, methods, best practices and successful examples. This year, the Yale Philanthropy Conference will explore the evolving role of philanthropy within this ecosystem of change. International Fundraising Conference. Nonprofit FundCon.

Calendar 177

Calendar Conference San Diego DC 177

Museum 2.0

MARCH 24, 2010

This is the third in a four-part series about writing The Participatory Museum. When I decided to write a book about visitor participation in cultural institutions, I knew I'd do it in a way that reflected the values behind the book itself--transparency, inclusion, and meaningful community participation. Check out the other parts here.

Participatory 33

Participatory Museum Process Experiment 33

Everyaction

OCTOBER 5, 2016

The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. International Fundraising Conference - IFC 2016.

Conference 111

Conference Calendar DC Washington 111

Museum 2.0

SEPTEMBER 8, 2008

To tap into maker culture. To take a new twist on the role of narrative (especially fictional narrative) in the interpretation of artifacts. Ghosts of a Chance is a great example of the museum leveraging a niche community (ARG-ers) to energize and provide seed content for participants who are new to participatory gaming.

Game 20

Game Museum Arts Alternative 20

Bloomerang

MAY 21, 2021

The kind of strategic planning processes that I lead are inclusive and participatory which means that the group is consulted, the vision of the group, the energy, we kind of tap into the energy, vision, knowledge, experience of the people who will be doing the work in order to make plans. Where are we not putting our energy?

Video 124

Video Nonprofit San Francisco Question 124

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Artists and administrators grapple with the shifting roles of institutions as hosts and incubators for creative work. Will the artists ruin the museum with their plant vacations and coatroom concerts?

Artist 39

Artist Museum Project Public 39

Museum 2.0

JULY 23, 2013

In this role, you will be the thoughtful, creative, detail-oriented lead who thinks about how school groups fit into the bigger ecosystem of youth experiences at the MAH and develops and implements them accordingly. How should we think about the role of onsite museum experiences in future educational partnerships?

Program 39

Program Museum Work History 39

Saleforce Nonprofit

JULY 12, 2022

For funders, nonprofits, and institutions across industries to effectively participate in the global movement to break the cycle of intergenerational poverty, they must first transform internal organizational culture and capacity to advance access, equity, and justice. Disrupt Power Imbalances.

Intergenerational 52

Intergenerational Culture Accessibility Global 52

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 21, 2010

I facilitated a workshop on the Networked Nonprofit, covering the concepts of social culture, simplicity, and transparency. Cultural Norms Around Instructional Delivery: I had learned that instructional delivery in Kenya tends to be very formal, mostly the “sage on the stage&# lecture approach. I don’t teach that way.

Kenya 96

Kenya Network NGO Nonprofit 96