Museum 2.0

MARCH 18, 2015

Imagine the most community-based science center possible. Imagine it in a poor, immigrant farmworker community. In a Community Science Workshop. A couple months ago, I visited a Community Science Workshop for the first time in Watsonville, CA. Can you give me the overview of Community Science Workshops? It thrives.

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Green Interview Share Community 20

Museum 2.0

MAY 21, 2014

Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County. Participatory work can be very labor-intensive. Three years later, we''re out of turnaround and into growth mode.

Museum 49

Museum Director History Teen 49

Museum 2.0

MARCH 28, 2008

Museums aren't the only venues facing this question: news outlets, corporate brands, and educators are also grappling with the question of trust in the participatory age. I'm reading a book of essays about how to teach written by teens. Many of the teens write, "learn with us. In the Web 2.0 It's very relational.

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Participatory Museum Teen Voice 20

Museum 2.0

JULY 31, 2013

You''re in for a treat, with upcoming posts on creativity, collections management, elitism, science play, permanent participatory galleries, partnering with underserved teens, magic vests, and more. I crave community, but I am not naturally outgoing in large group settings like conferences. To me, Museum 2.0

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Museum Participatory Reflection Conference 35

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? For this reason, I see history museums as best-suited for participatory projects that involve story-sharing and crowdsourced collecting (e.g.

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Museum Difference Participatory History 29

Museum 2.0

AUGUST 3, 2009

Last month, the Christian Science Monitor published an article entitled, "Museums' new mantra: Connect with community." It took me a couple weeks (and various museum blog responses ) to realize what bugs me about this article--it treats "connecting with community" as a marketing ploy, a "mantra" rather than a mission. Which community?

Community 22

Community Museum San Diego San Francisco 22

Museum 2.0

AUGUST 18, 2008

I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 as physical analogs to virtual community platforms. People who engage deeply in any online community, whether a bulletin board or social networking site, want to meet in person. meetup for Elite Yelp! Invite them back.

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Museum Hosting Model Community 22

Museum 2.0

JUNE 12, 2012

It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. This post focuses on one aspect of the exhibition: its participatory and interactive elements. So many museum exhibitions relegate the participatory bits in at the end.

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Participatory Museum Blackboard Game 51

Museum 2.0

DECEMBER 1, 2006

Ready to turn your institution into a site of participatory engagement? specializes in designing museum experiences and exhibitions that are community informed, socially stimulating, technologically ambitious, and intriguingly experimental. Want to bring the spirit of this blog to your colleagues and projects?

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Museum Professional Service Participatory 21

Museum 2.0

MAY 5, 2009

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! So far, most participatory museum design projects are heavily guided by the institution. technology and more focus on engaging with communities.

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Slides Participatory Museum Children 20

Museum 2.0

DECEMBER 14, 2009

I worked on one project in which the client institution thought they wanted unfettered teen expression. When they saw the results of that expression, they struggled with the content and eventually integrated it into their project in a way that diminished the teens’ involvement and hard work.

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Project Museum Teen North Carolina 22

Museum 2.0

SEPTEMBER 21, 2016

It opens up new conversations about the work of art in our communities. Every other year, they convene TUPAC, a group of 35 outside advisors, including teens, college students, Temple University professors, artists, philanthropists, and community leaders. Temple Contemporary is truly community-led. There is no formula.

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Process Share Philadelphia Arts 20

Museum 2.0

APRIL 6, 2011

Let's say you spend a year working with a group of teens to co-create an exhibition, or you invite members and local artists to help redesign the lobby. Community processes are both exciting and time-consuming. In many cases, once the final project is launched, it's hard to detect the participatory touch.

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Participatory Process Museum Children 48

Museum 2.0

AUGUST 7, 2008

Creating Communities for Continuous Visitor Research What if you check out your museum on the Web and find. They're right in front of us, and we can enlist them into intimate communities to help us listen. A community provides insights. So how can your museum foster this kind of community for research?

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Museum Teen Second Life Discussion 20

Museum 2.0

NOVEMBER 7, 2010

At the big one, I worked on a small project with teens to design science exhibits for community centers in their own neighborhoods. Now, as a freelancer, my work combines long-term, creatively challenging participatory exhibit projects with lots of little workshops and brainstorming sessions with institutions around the world.

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Museum Boston Participatory Job 52

Museum 2.0

APRIL 18, 2012

A group in their late teens/early 20s were wandering through the museumwide exhibition on love. When I walked by the first time, the teens were collaging and Kyle and Stacey were talking. I don't know what formed the bridge between the artists and the teens in this circumstance. Kyle had brought his baby with him.

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Community Teen Build Social 42

Museum 2.0

MAY 16, 2007

The recent flurry of restrictions that has sent teens fleeing? Many social networks that pride themselves on fostering community around specific topics--list-servs, conferences, business sites--are open to anyone. Tags: participatory museum visitors. When you think of MySpace, what is the first thing that comes to mind?

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Museum Myspace Facilitation Social Network 20

Museum 2.0

MAY 8, 2013

Like a lot of organizations, my museum struggles with two conflicting goals: The museum should be for everyone in our community. We''re more successful when we target particular communities or audiences and design experiences for them. It''s impossible for any organization or business to do a great job being for everyone. Why fight it?

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Museum Social Arts History 55

Museum 2.0

JULY 23, 2013

While we used to have a Director of Education who managed this, we’ve recently restructured our Community Programs department to have a Youth Programs Manager (the brilliant Emily Hope Dobkin), who oversees all experiences that visitors 2-18 have with the museum.

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Program Museum Work History 39

Museum 2.0

NOVEMBER 18, 2008

In many museums, comment cards are currently the most "participatory" part of the visitor experience. community activities of interest (please vote and comment--I will move to action stage at the end of the month). It may be useful if you want to ask "What kind of teen programs should our museum offer?"

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Comment Tools Museum Conversation 20

Museum 2.0

MARCH 30, 2016

Our entire strategy at the Santa Cruz Museum of Art & History is rooted in community participation. We invite diverse locals to share their creative and cultural talents with our greater community at the museum. Teens advocating for all-gender bathrooms. Does community participation work for big cultural destinations too?

Community 20

Community Museum Local Participatory 20

Museum 2.0

FEBRUARY 24, 2011

I was talking this week with Mark Allen, the founder of Machine Project (an alternative arts space in LA), about different models for community engagement in cultural institutions. The framework is the format or setup for how community members are invited to participate.

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Voice Los Angeles Denver Museum 42