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What I Learned from Beck (the rock star) about Participatory Arts

Museum 2.0

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). Participatory processes often (and sometimes unintentionally) restructure the product.

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Guest Post: Weaving Community Collaborations into Permanent Installations at the Denver Art Museum

Museum 2.0

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations.

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12 Ways We Made our Santa Cruz Collects Exhibition Participatory

Museum 2.0

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. The content focuses on the question of WHY we collect and how our collections reflect our individual and community identities.

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10 Ways to Build a Better Community Brainstorming Meeting

Museum 2.0

And you've decided that you want to integrate community feedback into the development process. Here are ten things I've learned about making these kinds of community input meetings successful. Bringing these different communities together in the same space might not have created safe space for the true issues of each group to emerge.

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Why Are So Many Participatory Experiences Focused on Teens?

Museum 2.0

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Teens are a known (and somewhat controllable) entity.

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The Johnny Cash Project: A Participatory Music Video That Sings

Museum 2.0

This question is a byproduct of the reality that most participatory projects have poorly articulated value. If you don't have a sense of an outcome--whether that be internal research, community conversation, or something else--you can't decide how or whether contributions should be documented or archived.

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Community Science Workshops and Shared Authorship of Space: Interview with Emilyn Green

Museum 2.0

Imagine the most community-based science center possible. Imagine it in a poor, immigrant farmworker community. In a Community Science Workshop. A couple months ago, I visited a Community Science Workshop for the first time in Watsonville, CA. Can you give me the overview of Community Science Workshops? It thrives.

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