Arts Public Relationship Teen 
Museum 2.0
JANUARY 24, 2011
This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). In my experience, innovation is about flexibility, capacity, and collaborative relationships. In the 1990s, we decided we wanted to engage a teen audience.
Museum 2.0
MAY 21, 2014
Seeing so many cheerful one-liners in my inbox made me think about how different my work situation is today than the last time I reflected on it in public in 2012, at my one-year anniversary. I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. In the meantime, here are some.
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Museum 2.0
JULY 26, 2010
Art spaces masquerading as laundromats and letterpresses. Machine Project is a non-profit storefront arts venue that hosts a dizzying array of eclectic classes, workshops, events, and occasional exhibits. Want some waffles with your art? Skill-sharing free schools. Community science workshops.
Museum 2.0
JULY 31, 2013
You''re in for a treat, with upcoming posts on creativity, collections management, elitism, science play, permanent participatory galleries, partnering with underserved teens, magic vests, and more. I''m sufficiently externally-driven to realize that having a public place for my learning helps me stay focused and keep producing.
Museum 2.0
MARCH 26, 2014
In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. He is the son of Bonnie Pitman , an extraordinary museum leader and educator who has served as director of the Dallas Museum of Art, the Bay Area Discovery Museum, and as a board member for AAM.
Museum 2.0
AUGUST 3, 2008
So I felt lucky last week to learn not only about an innovative arts exhibition employing geocaching, but to discover that its exhibit developer, Seth! worked with the city of Bellevue, WA, to incorporate geocaching and user-generated content into their public sculpture exhibition to put a new spin on the concept of “public art.”
Museum 2.0
APRIL 7, 2009
But if the goal is to change as many peoples' perception of the institutional relationship to community members as possible, then limiting yourself to a hidden participatory process is problematic. Facebook is learning how to negotiate this relationship. Users disagreed. But how far does that go?
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