Museum 2.0

SEPTEMBER 21, 2016

They were there for artist talks. Temple Contemporary’s mission is to creatively re-imagine the social function of art through questions of local relevance and international significance. They live their mission, working in questions and projects rather than exhibitions and programs. The community drives the question.

Process 20

Process Share Philadelphia Arts 20

Amy Sample Ward

JUNE 21, 2011

Staged a major exhibition celebrating the spectrum of what is in the library, public programs partners with The Moth. Trying to engaged the teen-to-twenty-something who normally may not use the research library. Questions and Discussion. Jason Eppink – Museum of the Moving Image.

Game 140

Game Culture Museum Change 140

NTEN

JUNE 21, 2011

Staged a major exhibition celebrating the spectrum of what is in the library, public programs partners with The Moth. Trying to engaged the teen-to-twenty-something who normally may not use the research library. They thought, wouldn't it be interesting to create a game to get people in the library who may not have ever come?

Game 52

Game Culture Change Museum 52

Museum 2.0

MARCH 4, 2015

Across the museum field, the questions about visitor participation have gone from "what?" Our museum is highly participatory: plenty of opportunities for visitors to contribute, for artists to collaborate, for community members to co-create. Over 150,000 people have accessed the free online version. and "why?" to "how?".

Participatory 20

Participatory Museum Empowerment Facilitation 20

NTEN

AUGUST 16, 2011

” Presented by filmmaker Chelo Alvarez-Stehle, SOS_Slaves aims to raise trafficking awareness in teens while empowering them with the tools to take responsibility and speak out against this issue. Jeff has been a DJ, music producer, graphic designer, illustrator and consultant to independent artists and small business owners.

Game 81

Game Change Classroom Machinima 81

Museum 2.0

FEBRUARY 9, 2010

I was surprised by her question. Finally, because of their social content, they are good places for community dialogue programming and comment boards (for example, consider the Levine Museum of the New South's extensive use of sticky notes and talking circles). Children of the Lodz Ghetto ).

Museum 29

Museum Difference Participatory History 29

Museum 2.0

MAY 5, 2009

We started with a brief presentation of the basics of each project, and then spent about an hour responding to questions from the audience, using illustrative images and documents to support the discussion. Some of the most interesting questions included: how do you verify the accuracy and authenticity of visitor-contributed content?

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

NOVEMBER 7, 2010

I had a healthy second life as a slam poet, and I loved the world of artists and performance. At the tiny science center, I got to do everything from leading programs to building exhibits to managing volunteers to cleaning snot off of plexiglass. The reach is huge--at the time, about 800,000 visitors per year--but the staff is tiny.

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

MAY 8, 2013

It can lead to parallel programming: bike night for hipsters, bee night for hippies, family night for kiddies. One of our core programming goals is to build social capital by forging unexpected connections between diverse collaborators and audience members. This has led to a surprising outcome: we are now de-targeting many programs.

Museum 55

Museum Social Arts History 55

NTEN

OCTOBER 4, 2010

The Teen Party. He and his brother knew we had a "no questions asked" policy of picking them up wherever and whenever they were unable to drive or ride with someone they didn't trust. Here's the question for the future: how are you enabling the conversation between your donors and your beneficiaries, and is this a two-way call?

Mobile 81

Mobile Phone PPT Green 81

Museum 2.0

OCTOBER 22, 2008

And so my question is, why are we keeping them away? The science of capital punishment from DNA to execution Religion Teen suicide, teen cutting – I wanted to include these in my museum’s “Hall of Human Life” teen area. Why aren't we developing our audiences?" and displayed in the museum. Management was horrified.

Museum 20

Museum Professional Teen Map 20

DipJar

AUGUST 24, 2022

It was the programming, culture, and vision of the library that attracted her, and the challenge that has kept her engaged and excited ever since. The result is a rich array of fresh and innovative resources, programs, and services. All of these are supported by wrap-around services based on the question, “what can we do to help?”.

Library 105

Library Public Local Reflection 105