Museum 2.0

OCTOBER 17, 2012

Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. We invited local artists and community groups to perform. We make room for interns and artists and people who walk in the door with crazy ideas.

Museum 47

Museum Artist Remix Professional 47

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 26, 2006

"There's a mentality shift required to fully engage with social networking and community content sites: sometimes, you have to let go." Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century."

Participatory 50

Participatory Teen Vlog Mashup 50

The Modern Nonprofit

MAY 30, 2023

By supporting Pride Month, you can help create a more inclusive environment for your staff, volunteers, and beneficiaries, regardless of their sexual orientation or gender identity. Create inclusive content : Share stories, articles, and resources on your website, blog, and social media platforms that celebrate LGBTQ+ voices and experiences.

Support 98

Support Fundraising New York City History 98

Museum 2.0

DECEMBER 30, 2008

Dear Museums on Twitter, Thanks for experimenting in a new and largely uncharted online environment. I scan through about ten and ask myself: is this content interesting enough for me to follow this person? But if you ONLY use Twitter to do those things, you are just using it as a feeder to the other web content you already produce.

Museum 46

Museum Twitter Open San Francisco 46

Museum 2.0

MARCH 9, 2009

I once asked Eric Siegel, the Director of the New York Hall of Science, why museums are rarely innovative shining stars on the cutting edge of culture. This is the model that governs most businesses and artistic endeavors. What drives people through your door, gets them excited, and connects them passionately with your content?

Model 55

Model Business Los Angeles Museum 55

Museum 2.0

MARCH 25, 2008

I expected it to be both physically and culturally uncomfortable, something like going to a dentist in a Harley garage. I was wrong; while the experience had its negatives, it was one of the best content-related social experiences of my life in an art establishment like no other. It's worth the cultural trip. Well, I'm not.

Museum 23

Museum Arts Artist Culture 23

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 31, 2006

My first online community builder/facilitator job was with Arts Wire, an online network for artists, that used a unix-based, text-based online discussion software. Arts Wire, a project of NYFA, was originally intended to be a place for artists from all over the country to meet, exchange ideas, and talk about their work via the Internet.

Report 50

Report Time Social Facilitation 50

Museum 2.0

OCTOBER 15, 2009

Teens are perceived as an audience that is particularly disaffected and hard to reach, and institutions are continually seeking new techniques that might connect them to core content experiences. The other three are cultural, and I'm not sure how accurate they are. The first of these reasons is practical.

Teen 24

Teen Participatory Experiment Museum 24

Museum 2.0

SEPTEMBER 29, 2009

In his identity work , John Falk determined that people use cultural institutions to reflect their personal self-concept as learners, social leaders, spiritual pilgrims, hobbyists, and experience seekers. Taking pleasure in hidden things increases when you live in an environment where everything is available and highly documented.

Museum 34

Museum Los Angeles San Francisco Model 34

Museum 2.0

JUNE 12, 2009

It is an exhibit of user-generated content? In the other case, the institution was unwilling to engage in the conversational environment and ended up isolated, fueling the fire. When those spaces are factored in, there are more than 250 works by female artists on view now. Is this a research project? Is it a conversation?

Conversation 21

Conversation Museum Artist Minneapolis 21

Museum 2.0

SEPTEMBER 24, 2007

It’s often confusing to wade through the choices: do I want the underwater pony show or the artist-led splatter tour? It is possible to offer a menu of options—with varying prices, durations, and content—without scaring people off. On face value, confusion looks like the main culprit. So why can’t museums do it?

Movie 20

Movie Museum Culture Free 20

Forum One

OCTOBER 4, 2023

Not only did we make the list one time – we made it eight times with two gold wins for non-profit and cultural institution websites and six silver wins for apps and websites in non-profits, health, families and kids, the environment and sustainability, science, and education. Check out all of our w3 Award winners below!

Award 86

Award Museum Kansas City Drupal 86

Museum 2.0

DECEMBER 8, 2006

Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). the question of how cultural objects are defined and valued and 2. My favorite pieces of this conversation dealt with 1.

Interview 20

Interview Museum Culture Sound 20

Have Fun - Do Good

JULY 31, 2009

On Spot.us, we're trying to bring in a culture of transparency in journalism, where we say, "Invite the public into the reporting from day one. They have a magazine called Race, Poverty and Environment Magazin e. Again, that is very different from the traditional culture of journalism and journalists.

Interview 40

Interview Fund Report Community 40

NTEN

MARCH 16, 2011

By Jeff Ramos, Community and Content Manager, Games for Change When most people outside gaming think of video games, they typically fall into three buckets: "old school" games like Super Mario and Tetris, social and mobile games like Farmville and Angry Birds, or hyper-violent console games like Grand Theft Auto. Everyone wins!

Game 88

Game Impact Libya Social 88

Bloomerang

NOVEMBER 13, 2021

So, if you have to leave early, you just want to review the content later on, share with a friend or a colleague, don’t worry, we will get all that good stuff in your hands later on today. She’s also certified by the Institute of Cultural Affairs, in the USA, for facilitation. So content without context is meaningless.

Report 83

Report Measure Process Impact 83

Have Fun - Do Good

OCTOBER 1, 2006

As we've grown up with it, and we've been doing it since about 1998, it has suddenly become the sort of thing that everybody is talking about now, is how do you do online advertising content that is entertaining and engaging. Louis is a traditional artist and I was in the journalism field. That's what we're trying to do now.

Storytelling 40

Storytelling Causes Interview Free 40