Museum 2.0

OCTOBER 24, 2012

We actively seek participation and develop structured opportunities for visitors to collaborate with us. It's not unusual for me and our public programming staff members to have several short interactions every week with newcomers who walk in the door with idiosyncratic visions for cultural engagement.

Platform 41

Platform Open Museum Participatory 41

Museum 2.0

MARCH 4, 2015

I wrote The Participatory Museum for two reasons: to explore the "how" of participatory design in museums, cultural centers, libraries, and science centers to create a version of this blog that was more "shareable" with organizational leaders and trustees By many measures, the book has been a success. Humans empower each other.

Participatory 20

Participatory Museum Empowerment Facilitation 20

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 31, 2006

My first online community builder/facilitator job was with Arts Wire, an online network for artists, that used a unix-based, text-based online discussion software. I facilitated online forums, provided technical support the 500 members, and training. Onlne Facilitator. online facilitator? Online Community Builder.

Report 50

Report Time Social Facilitation 50

Museum 2.0

MAY 7, 2010

The piece was developed in collaboration with Yoon Jin Kim, a Korean choreographer based in Seoul, and it uses the centuries-old idea of the kiseang, a geisha-like Korean woman who serves men, as the basis for a radical and provocative program. I don't have a prescriptive set of ideas on how to apply this in cultural institutions.

Audience 37

Audience New York Instruction Instructional 37

Museum 2.0

FEBRUARY 9, 2010

As cultural anthropology has swung away from a vision of authoritative history and toward the embrace of multiple perspectives, there is potential for those stories to come from all over the place, including visitors themselves. History Museums OPPORTUNITIES - History museums are in many ways the best-suited for visitor participation.

Museum 29

Museum Difference Participatory History 29

Museum 2.0

DECEMBER 8, 2006

Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). the question of how cultural objects are defined and valued and 2. My favorite pieces of this conversation dealt with 1.

Interview 20

Interview Museum Culture Sound 20

ASU Lodestar Center

NOVEMBER 30, 2011

The following is a combination of results from analysis I conducted last year on the 50 Collaboration Prize submissions that related to mergers, as well as two case studies from recent church mergers in the metro Phoenix area. Both churches also had an emphasis on serving the downtown artist community. The same is true for nonprofits.

Phoenix 68

Phoenix San Francisco Model Nonprofit 68

Museum 2.0

JUNE 12, 2012

It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. We experimented with many different forms of visitor participation throughout the building, trying to balance social and individual, text-based and artistic, cerebral and silly. A DIY wedding! DIY Wedding Chapel.

Participatory 51

Participatory Museum Blackboard Game 51

Bloomerang

NOVEMBER 13, 2021

She’s also certified by the Institute of Cultural Affairs, in the USA, for facilitation. And that might involve collaboration, saying, “We acknowledge that there are others in the community that do this better or more effectively. So, obviously, going to be a really great presenter for you. So you raised $20,000.

Report 81

Report Measure Process Impact 81

Have Fun - Do Good

MAY 4, 2010

"To us, it's really about collaboration. This was a collaboration among several organizations, A Single Drop, Crabgrass, ProNet Accra, and Women's Earth Alliance. We had women who had expertise in community organizing, micro-finance, facilitation and leadership development. To us, it's really about collaboration.

Director 40

Director Ghana Africa North America 40

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 27, 2009

Chris Anderson’s The Long Tail Note from Beth: In 1993, I worked as the "network weaver" for an online network for individual artists called "Arts Wire" where I facilitated online conversations, provided technology support and training. Collaborator. It took a group of us to make our blog a success. Not really.

Museum 82

Museum Arts Artist Conservancy 82

Have Fun - Do Good

JUNE 29, 2006

We'll be taking with arts activist Alli Chagi-Starr, the Cultural Arts Director for the Ella Baker Center for Human Rights ' Reclaim the Future Program. In addition to being an artist, performer and dancer, Alli is also a writer whose most recent piece can be found in the Code Pink anthology, Stop the Next War Now.

Arts 40

Arts Podcast Action Interview 40