Remove History Remove Interaction Remove Mind Remove Participatory
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Celebrate, Educate, and Fundraise: Planning Winning AAPI Heritage Month Events

The Modern Nonprofit

Embarking on Your AAPI Heritage Month Journey Asian American and Pacific Islander Heritage Month, celebrated every May in the United States, provides an important opportunity to honor the history, culture, and achievements of Asian Americans and Pacific Islanders. Incorporate interactive elements that allow attendees to directly participate.

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Feelings and Participation

Museum 2.0

Today, I wanted to think about participatory elements, something so essential to this blog. Lumin at Detroit Institute of Art Now on to the interactives…I’ve been thinking a great deal about the function of interactives in museums. For them, in-depth interactives can support feelings of not belonging.

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What a Difference a Prompt Makes. Simple Analysis of a Participatory Exhibit Element

Museum 2.0

We decided to show a selection of Danny's lists in a hallway surrounded by a participatory element where we invite visitors to contribute to new lists on evocative themes ("Things we forget," "The best feelings in the world," etc.) One of the collections on display is a set of "found lists" collected by a local farmer, Danny Lazzarini.

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Three Exhibition-Related Opportunities in 2013

Museum 2.0

We're looking for an Exhibitions Manager to join our team here at the Santa Cruz Museum of Art & History. Some of the big questions on my mind include: If we change exhibitions more frequently, will it drive more repeat visitation? Will it give a sense of energy and change?

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The Happy Healthy Social Change Activist: Passion for a Cause without Burnout

Beth's Blog: How Nonprofits Can Use Social Media

Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator. This is more a mind shift than anything else.

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Art Brings People Together: Measuring the Power of Social Bridging

Museum 2.0

We have witnessed and experienced incredible moments of transformation: homeless people and history buffs working together on historic restoration, graffiti artists and knitters collaborating on new artistic projects, visitors from different backgrounds making collages, or sculptures, or dance performances together.

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Year Three as a Museum Director. Thrived.

Museum 2.0

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. Participatory work can be very labor-intensive. I can''t harbor secret hopes that everyone will like it or that I can change their minds with goodwill. I firmly believe that a community-engaged museum is a web of interactions.

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