Connection Cafe

JANUARY 14, 2014

Over the past eight years, Michael has been specifically focused on the Arts and Cultural marketplace and is an active participant in delivering speaking engagements and contributing to trade publication articles. . How do you internally define arts and culture? It’s what we all are expected to do, isn’t it?

Goal 33

Goal United Kingdom North America Arts 33

Museum 2.0

SEPTEMBER 26, 2012

Stacey Marie Garcia came to the MAH first as a graduate intern in the summer of 2011. The program is an experimental playground that bridges artists, students, chefs, comedians, hairdressers, bartenders, dancers, wrestlers and even tattoo artists to produce a community-led event.

Museum 49

Museum Program Participatory Community 49

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. Our archeology did not aim to uncover the hidden voice of my grandmother, but instead to begin an ongoing practice of recreation.

Collaboration 36

Collaboration North Carolina Museum Artist 36

NonProfit Hub

MARCH 26, 2015

Volunteer engagement isn’t just a trivial award or public recognition, but rather part of a nonprofit’s culture. Andrew Stanley, president and co-founder of VolunteerMark , said volunteer engagement ties into the overall culture and how you treat volunteers. It ties into the larger culture of how you treat the volunteer.

NPO 28

NPO Volunteer Help Kansas City 28

Museum 2.0

APRIL 29, 2015

We had incredible success transforming our institution into a vibrant cultural center. For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media. That’s why we partner with fire sculptors, knitters, graffiti artists, and bonsai growers.

Build 20

Build Community Museum Artist 20

The Modern Nonprofit

MAY 30, 2023

This collaboration can provide mutual benefits for both your organization and the LGBTQ+ organizations, as you can share resources and amplify each other’s voices. Collaborate with local LGBTQ+ organizations : Team up with local LGBTQ+ organizations to support their initiatives, share resources, and amplify their voices.

Support 98

Support Fundraising New York City History 98

Museum 2.0

APRIL 2, 2014

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). Beck talks about this in the context of learning to play music as a young artist. There are twenty songs in Song Reader.

Participatory 52

Participatory Arts Music Learning 52

Museum 2.0

JUNE 12, 2013

By inviting people to actively participate with us in co-creating programming, we empower them as creative agents, cultural producers, and people for whom the museum is a relevant, compelling partner. You want to have an artist collective sleepover at the museum? We believe in fearless experimentation. Exploit your size. Sounds great.

Museum 55

Museum Learning History Arts 55

Museum 2.0

SEPTEMBER 18, 2013

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Evaluation 49

ASU Lodestar Center

JANUARY 7, 2015

posted by Maureen O''Brien Development Director Musical Instrument Museum I recently had the opportunity to travel to Paris, France to attend the 5ème conférence de fundraising pour le secteur culturel (5th conference on fundraising for the cultural sector) put on by the Association Française des Fundraisers (French Association of Fundraisers).

Professional 40

Professional Global Develop France 40

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 28, 2013

Lifting my arms and voices to say “I FAILED, NOW LETS MOVE ON.”Led Talking about risk-taking and potential for failure is difficult in the nonprofit and philanthropic sector, but having it part of an organization’s culture so it is free of stigma and that everyone learns is even harder. Best moment of #MIForum ?Lifting

Learning 115

Learning Impact Culture DC 115

ASU Lodestar Center

JANUARY 17, 2015

I recently had the opportunity to travel to Paris, France to attend the 5ème conférence de fundraising pour le secteur culturel (5th conference on fundraising for the cultural sector) put on by the Association Française des Fundraisers (French Association of Fundraisers). It was wonderful to again be immersed in French culture and language.

Professional 40

Professional Global Develop France 40

Museum 2.0

JUNE 16, 2020

Each week, I’ve been ceding the blog to others as a chance to hear many voices share their thoughts about our field, where we are, and where we are going. This field is varied, and each voice adds to our collective understanding of the situation. For this week, I’m re-posting Andrea Montiel de Shuman’s Medium post with permission.

Museum 22

Museum Detroit Arts Leadership 22

Have Fun - Do Good

SEPTEMBER 26, 2008

FiftyCrows Foundation eschews these media politics and prioritizes social awareness by using arrestingly real, timely photographic images as a catalyst for education, cultural understanding and social action." Our mission is to strengthen the voice of activist artists - 'Artivists' - while raising public awareness for social global causes."

Arts 40

Arts Impact Photography Artist 40

Museum 2.0

JUNE 12, 2012

It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. We see it as a long-term investment for the museum. A DIY wedding!

Participatory 51

Participatory Museum Blackboard Game 51

Museum 2.0

JULY 31, 2007

But today, a conversation about the often sticky world of cultural interpretation with chapter 20, "A Jew Among Indians" How working outside of one's culture works." How will outsider needs for basic information (internalized by the insiders) be accomodated? This first issue is about cross-cultural understanding.

Culture 20

Culture Storytelling Challenge Museum 20

Have Fun - Do Good

OCTOBER 19, 2006

The 3rd Annual Artivist Film Festival & Awards ' mission is to strengthen the voice of international activist artists and raise public awareness of global issues. Fresh insights are offered into the tensions between new traditions and old cultures as it portrays these unsung visionaries creating a more just world.

Award 40

Award Senegal San Francisco India 40

Museum 2.0

NOVEMBER 9, 2007

My interest in gaming in museums was ignited by working on Operation Spy, an immersive, narrative, live-action game experience at the International Spy Museum, and fueled by the CSI:NY virtual experience. In this case, it has less to do with getting better than choosing a new direction.

Open Source 22

Open Source Museum Game Open 22

Have Fun - Do Good

JUNE 7, 2006

And hopefully, at the end of the day, we’re helping them realize their ability to positively impact the world around them – that it doesn’t take much, that you don’t have to call yourself an activist or whatever, but that you do have a stake in this world, your voice is powerful and can be easily used.

Teach 40

Teach Campaign Info Volunteer 40

Have Fun - Do Good

MAY 4, 2010

I saw the potential, at the grassroots level, of the local leaders, many of whom were women who were running various campaigns and health programs and educational programs that didn't have a chance to have their voices heard, and to design their future. From that point, my path shifted. I'm looking forward to so much ahead. What's the secret?

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Director Ghana Africa North America 40

Have Fun - Do Good

APRIL 29, 2009

It could be the environment, it could be educational issues, political issues, international, national. We wanted to encourage them to find their voice, and to become leaders in their own right in their own local community. As a result, you have a culture of post-traumatic stress disorder. It really didn't matter to us.

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Interview Cambodia Children Uganda 46

Non Profit Quarterly

AUGUST 10, 2022

12 At the same time—as shown by an International Monetary Fund (IMF) report in 2017—technological advancement, especially as regards the growth of the platform economy, had been chipping away at the share of income for workers, resulting in half of the decline in workers’ share of income across the globe between 1990 and 2015. 9</sup).

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Platform Technology United States New York 140