Museum 2.0

JANUARY 16, 2013

It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. The group was mostly young (teens to thirties) and nerd-diverse: a little bit punk, a little bit hacker, a little bit craft grrl. It was pretty freaking amazing.

Reflection 43

Reflection Community Museum Participatory 43

Museum 2.0

MARCH 16, 2009

I’ve had it with museums’ obsession with open-ended self-expression. Forrester created the “social technographics” profile tool to help businesses understand the way different audiences engage with social media (and you can read more of my thoughts on it here ). And yet many museums are fixated on creators.

Participatory 44

Participatory Experiment Museum Teen 44

Museum 2.0

SEPTEMBER 4, 2013

This August/September, I am "rerunning" popular Museum 2.0 This post is even more relevant today to the broader conversation about audience diversity in the arts than when it was published three years ago. Let''s say you work at an organization that mostly caters to a middle and upper-class, white audience.

St. Louis 45

St. Louis Museum Audience Teen 45

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

Game 52

Game Culture Change Museum 52

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

AUGUST 25, 2009

Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." If you feel that your audience needs monitoring or social support, position the talkback stations in open settings.

Design 31

Design Goal Difference Platform 31

Museum 2.0

JULY 28, 2010

Let's say you work at an organization that mostly caters to a middle and upper-class, white audience. Let's say you have a sincere interest in reaching and working with more ethnically, racially, and economically diverse audiences. Most large American museums are reflections of white culture. YES students defy expectations.

St. Louis 53

St. Louis Audience Teen Museum 53

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 3, 2008

I keep hearing from nonprofits that one of the reasons they want to incorporate a social networking or media strategy is to reach a younger audience. Nina Simon a proud member of Gen Y, writes the very awesome Museum 2.0 blog, but you don't have to be a museum person to get a lot of value from it. Why did I go?

Blogger 50

Blogger Change Social Philanthropy 50

Bloomerang

APRIL 2, 2021

Julia Campbell will provide a framework for evaluating the best platforms for your unique organization, as well as ideas for creating great social media content your audience will love. We have a huge audience. And I wrote two books which are also like my other two children. Julia: Yes. Steven: All right, awesome.

Social Media 76

Social Media Trend Video Marketing 76