Museum 2.0

JULY 26, 2010

I'm fascinated by these places because of their ability to attract diverse audiences to idiosyncratic experiences, and I'm curious how they stay afloat. From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences.

Culture 49

Culture Alternative St. Louis Los Angeles 49

Nonprofit Tech for Good

DECEMBER 14, 2022

Audience size, breadth, and depth: If your organization has big lists, lots of traffic to your website or blog or social media pages, or big crowds at events, there are many ways to turn this into a donor benefit. Creative stuff: Things unique to your organization including the ability to create art, music, poetry, dance, etc.

Donor 343

Donor Sponsor Accessibility Music 343

Museum 2.0

AUGUST 19, 2015

The curatorial team or a multidisciplinary team who have the audience in mind when decisions are made about the best way to connect visitors to the collection?" Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. My answer: neither.

Teen 20

Teen Museum Voice Collaboration 20

Neon CRM

OCTOBER 13, 2023

Live Music Battles Live music battles make for great events because you can find a lot of excellent musical talent who want to get their names out there. You can either use a pay-to-enter model or turn it into a bit more of a gamble, where participants get a basket of eggs that may or may not contain a valuable prize.

Ideas 98

Ideas Fundraising Movie Classes 98

Museum 2.0

MAY 25, 2010

Evening events entice with the promise of music and food. As much as I loved spending time in the Museum, drawing the sculptures, chatting with the docents, giving my friends informal tours, and enjoying bluegrass music in the painting gallery, I knew that not everyone felt so free in the museum environment.

Museum 37

Museum Rhode Island University Student 37

Museum 2.0

JULY 12, 2010

When I first started exploring the site, I assumed it was mostly a place for charismatic hipsters and a few star artists with enough social media savvy and clever video production capabilities to produce enticing pitches. They are tapping into a large audience of people who don't care whether their donations are tax-deductible or not.

Fund 49

Fund Museum Pledge Game 49

Museum 2.0

AUGUST 8, 2010

A Community-Based Approach to Collecting and Cataloging CUL is a replicable model for community archives that accepts every piece of print media from a certain area without making quality or importance judgments, going back as far in history as possible. This Pop Up Library just returned from a folk music festival.

Chicago 48

Chicago Library Public Culture 48

Whole Whale

MARCH 28, 2023

It exists in the algorithms that govern your Facebook timeline, explains why YouTube always recommends the perfect video, or more recently, powers the Large Language Models (LLMs) like OpenAI’s Chat-GPT , Google’s Bard , or Bing’s AI Chatbot , and others that have made headlines. Chat-GPT is a generative large language model.

FAQ 52

FAQ Language Model Nonprofit 52

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.

Artist 39

Artist Museum Project Public 39

Museum 2.0

JULY 1, 2008

Today, both of these models are threatened, and within 50 years they will no longer be sustainable. Why are our current models failing? We rarely offer alcoholic beverages, comfortable seating, background music, or free admission to go with the art, lectures, and interactive experiences now available in many hybrid retail spaces.

Museum 20

Museum Library Participatory Wikipedia 20

Connection Cafe

SEPTEMBER 24, 2020

The first is to expect smaller in person audiences. The second change we’ll see, or at least a change I encourage, is a hybrid model of in person product and streaming product. Yes, we all have roles that do require an onsite presence: artists and the operations and production personnel that make those live events happen.

Arts 30

Arts Culture Organization Stream 30

ASU Lodestar Center

JANUARY 17, 2015

posted by Maureen O'Brien Development Director Musical Instrument Museum. As the development director at the Musical Instrument Museum (MIM), which celebrates the music of every country in the world, my team has a platform to fundraise internationally. In fact, I enjoyed Ms.

Professional 40

Professional Global Develop France 40

ASU Lodestar Center

JANUARY 7, 2015

posted by Maureen O''Brien Development Director Musical Instrument Museum I recently had the opportunity to travel to Paris, France to attend the 5ème conférence de fundraising pour le secteur culturel (5th conference on fundraising for the cultural sector) put on by the Association Française des Fundraisers (French Association of Fundraisers).

Professional 40

Professional Global Develop France 40

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 12, 2009

In addition to the summary, the music director is blogging about on how the story can combine with some music and acting and singing to become a finished piece. This isn't the first time a classical music organization has turned to social media and crowdsourcing. Pick the Right Model. Here's Act 2. Photo by Guillermo.

Analysis 88

Analysis Music San Francisco Mashup 88

Museum 2.0

MARCH 14, 2011

Welcome to Pine Point is a kind of virtual museum exhibition about the town, told from the perspective of Michael Simons, an artist who grew up in the nearby town of Yellowknife and visited Pine Point as a boy. The first-person narration allows the project to directly address the audience with deep questions without sounding unnatural.

History 43

History Museum Sound Voice 43

Museum 2.0

JUNE 20, 2012

Not every arts organization is fundamentally focused on connecting with and engaging audiences. While a few are, the majority are only slowly pivoting towards a primary focus on audience engagement. It's totally valid for an artist or an art organization to have a monastic approach. So why do they even consider it?

Profit 52

Profit Model Business Artist 52