Nonprofit Tech for Good

DECEMBER 14, 2022

You can collaborate with other nonprofits in your region or in your issue area to investigate whether you can all offer benefits for each other. For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. help to evaluate resumes of kids). Get creative.

Donor 337

Donor Sponsor Accessibility Music 337

Museum 2.0

JULY 17, 2013

In 2009, after we hosted the Creativity and Collaboration retreat, I wrote a post about ditching "conferences" for "camp" experiences. Sure, they might have decided to present an art object in a confrontational and opinionated way. Museum of Art and History risk design professional development' Thanks for all the memories.

Museum 49

Museum Arts History Professional 49

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. Art museums are the least likely to empower their own staff to initiate participatory projects but the most likely to work with artists whose approach to participation might be quite extreme.

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Museum Question Participatory Evaluation 45

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.

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Artist Museum Project Public 39

Museum 2.0

APRIL 25, 2011

In the past year, I've seen the conversation shift to talking about impact and sustainability of these projects--how we evaluate audience participation and how we can shift from experimental pilots to more day-to-day implementation. How do you evaluate participatory engagement strategies?

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Question Participatory Museum Evaluation 49

Museum 2.0

JUNE 27, 2008

The groups can use three different approaches: physical, artistic, or traditional word presentation. Not only does the activity support local artists, it challenges how outsiders and insiders engage with each other and share knowledge in a conference setting. Where do our eyes go to in art?

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Studies Associations Houston Museum 20

Museum 2.0

DECEMBER 8, 2006

Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). This year, we will complete the development of the first two technologies—the recording mechanism and the collaborative mapping tools.

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Interview Museum Culture Sound 20

Museum 2.0

MAY 8, 2013

At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. One of our core programming goals is to build social capital by forging unexpected connections between diverse collaborators and audience members. Museum of Art and History programs social bridging'

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Museum Social Arts History 55

Museum 2.0

JUNE 16, 2020

The Detroit Institute of Arts has been a precious anchor where many of us have created memories that helped define who we are today. The label did not address that the artist sexually abused her, gave her syphilis, and colonized her home. It would be difficult to count the wonderful opportunities I’ve had here.

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Museum Detroit Arts Leadership 22

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

It was good opportunity for me to look back at the crowdsourcing chapter in our book, The Networked Nonprofit , and update the examples and thinking. The presentation was followed by a discussion about how one might evaluate efforts to engage crowds. What do you track? What domains of impact should be considered (e.g. 2) Crowd Creation.

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Measure Fund Impact Minnesota 96

Museum 2.0

APRIL 18, 2012

At the adjacent table, my colleague Stacey Garcia was meeting with a local artist, Kyle Lane-McKinley, to talk about an upcoming project. I don't know what formed the bridge between the artists and the teens in this circumstance. On the third floor, they sat down in our creativity lounge and started making collages.

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Community Teen Build Social 42

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 12, 2009

Here is an example of an artistic program or creative process undertaken as a crowd and it isn't a cheap publicity stunt. How do you evaluate this? Typically these are collaborations between the crowd and individuals guiding them. In the traditional way, a music critic would attend the performance and publish a review.

Analysis 88

Analysis Music San Francisco Mashup 88

Bloomerang

NOVEMBER 13, 2021

And that might involve collaboration, saying, “We acknowledge that there are others in the community that do this better or more effectively. Are you going to use this to evaluate your internal operations so that you can become more efficient, more effective. And the field has really shifted since then. Does that make sense?

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Report Measure Impact Process 79

Beth's Blog: How Nonprofits Can Use Social Media

MAY 16, 2007

Measuring outcomes for social media tools and strategy is as Avinash Kaushik notes in his recent post on the topic , "an evolving art (not quite a science yet) and you have to be up to the challenge of both thinking a bit differently and be ok with leveraging several different tools." which is very hard to so.

Measure 50

Measure Social Media Tools Technorati 50

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 27, 2009

Chris Anderson’s The Long Tail Note from Beth: In 1993, I worked as the "network weaver" for an online network for individual artists called "Arts Wire" where I facilitated online conversations, provided technology support and training. In the last few years, the Smithsonian American Art Museum. Collaborator.

Museum 82

Museum Arts Artist Conservancy 82