Museum 2.0

FEBRUARY 1, 2012

Roberto Bedoya : The "Yes And" Argument and its Civic Implications Bedoya, the Executive Director of the Tucson Pima Arts Council, makes a beautiful statement that arts administrators need to facilitate a multiplicity of leading voices, or as he puts it, "the courage of imagination and the plural."

Arts 45

Arts Museum Artist Tucson 45

Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. Participation in science research is a good basis on which to develop a framework for participatory models because it is based on a consistent scientific process with many steps.

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Public Research Participatory Report 36

Museum 2.0

DECEMBER 2, 2010

Hi folks, Seems like it's time for another Museum 2.0 If the problem is us, let's start 2011 with some ideas on how to change. book club, where we pick a book, read it, and then I and guest bloggers write about aspects of the book that intrigue and stimulate us.

Museum 26

Museum Participatory Blogger Culture 26

Museum 2.0

MARCH 28, 2008

Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.

Participatory 20

Participatory Museum Teen Voice 20

Museum 2.0

JULY 7, 2010

Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." Most museums that offer interactive exhibits, media elements, or participatory activities offer them alongside traditional labels and interpretative tools. Fabulous!" "But

Audience 40

Audience Museum Oakland Participatory 40

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. They talked about community building.

Build 20

Build Community Museum Artist 20

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

JUNE 12, 2012

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.

Participatory 51

Participatory Museum Blackboard Game 51

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

MARCH 24, 2010

This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. As the participatory content review progressed well, I started looking for other ways for people to help.

Participatory 33

Participatory Museum Process Experiment 33

Museum 2.0

DECEMBER 2, 2008

They demonstrate that the blog is a more participatory vehicle than other kinds of media. But here's the problem: the vast majority of people who read your blog aren't reading it because they want or plan to comment on it. Museum 2.0's They prove that the conversation is two-way. it gets me excited. I do so rarely.

Comment 20

Comment Museum Blogger Reflection 20

Museum 2.0

JUNE 2, 2010

This year, the American Association of Museums annual conference was in Los Angeles (my hometown). I hosted two sessions, one on design for participation and the other on mission-driven museum technology development. He started with museums as a "place to go"--to see things, consume experiences. In this case, a heck of a lot.

Slides 22

Slides Museum Los Angeles San Jose 22

Museum 2.0

OCTOBER 8, 2008

I have a lot of conversations with people that go like this: Other person: "So, you think that museums should let visitors control the museum experience?" Other person: "But doesn't that erode museums' authority?" If the museum isn't in control, how can it thrive? It lets you be the only expert with a voice.

Authoring 42

Authoring Platform Museum YouTube 42

Museum 2.0

OCTOBER 7, 2009

Every time a colleague tells me her museum has just hired a "community person," a part of me cringes. When community managers are the sole masters of their own dominions, two problems arise. When community managers are the sole masters of their own dominions, two problems arise. This is a problem.

Community 40

Community Management Museum Aggregator 40

Museum 2.0

MARCH 14, 2008

As one designer commented to me after last week's colloquium on museums and civic discourse, it feels fake, even condescending, like we're handing out little "talk back opportunities" just to give visitors something to do. Is it just an exercise in giving visitors a fake voice? A leading voice in declarative labels can hide.

Question 20

Question Museum Participatory Voice 20

Museum 2.0

FEBRUARY 24, 2011

I've written before about the difference between participatory processes and products , but this question of frameworks and sensibility is more broadly applicable to community engagement strategies. A museum can be friendly, or serious, or funny, while maintaining a traditional relationship with visitors as consumers of experiences.

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Voice Los Angeles Denver Museum 42

Museum 2.0

MARCH 6, 2019

While I originally wrote this post to advocate for more participatory practice (i.e. letting museum visitors contribute and collaborate in museums), I now see this as a crucial issue also for more democratic and inclusive practice (i.e. Other person: "But doesn't that erode museums' authority?" Me: "Sort of."

Authoring 44

Authoring Share Museum YouTube 44