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A Decade of Museums and Museum Work

Museum 2.0

I was thinking I’d do a few alternative histories of museums for the first post of the last month of the decade. As I imagined a world without the many museum tech projects of the decade, I felt inherently sad about the imagining away the successes that friends and colleagues have enjoying. But I couldn’t get there.

Museum 21
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The Power of Pretzels

VQ Strategies

We know of one museum that is part of a larger institution and must abide by the larger organization’s plans, phasing opening by program and building in order to ensure the safety of the public and the staff. How have volunteers enabled you to reach new audiences? Address new needs?

Denver 98
professionals

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National Study Reveals: Digital and Social Media Are Delivering Results for Arts Organizations

Beth's Blog: How Nonprofits Can Use Social Media

The purpose of this invitation-only phase of the research was to make sure we were getting representation from around the country, and not just the coasts and major urban areas. Content drives engagement for online audiences in social media.”. This theater organization faced closure due to shortfalls in public and private funding.

Arts 110
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Participation Starts with Staff: The Ruru Revolution

Museum 2.0

Ruth is a curator of pictorial collections for Puke Ariki, a museum/library/visitor center in the small city of New Plymouth, New Zealand. institutions that were doing innovative work in audience engagement. (We Puke Ariki has about 70 full-time staff members, of whom 10 work for the museum, and the institution is pretty siloed.

Badge 40
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Philanthropic Leadership: Engaging Board Members As Fundraising Ambassadors

Bloomerang

Having a diverse board allows us to reach a broader audience. Number one, it will allow us to expand our donor base and reach a broader audience. Enhance the organization’s standing with the general public. Again, how many of you have attended an event or go to a museum? It builds a culture of trust and respect.

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What we know so far: NFTs, Twitch, and Tiltify

M+R

My kids had a long phase when they spent their precious and meager allowance buying Pokémon cards. The thing that makes them special IS that they can be owned, and that the ownership can be proven because it’s recorded and tracked on a public blockchain ledger (a digital record of transactions). Read time: 6 minutes.

Game 98
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Layer On for the Long Haul: Sustaining Visitor Co-created Experiences

Museum 2.0

What does it mean when your audience is tired of itself? In 2006, their publication Next proclaimed that the Weston Innovation Centre, and the accompanying Agents of Change initiative, represented the “new” face of the Ontario Science Centre. our returners and core audience, who’ve been there done that. by not changing.