Museum 2.0

JANUARY 11, 2012

I'm incredibly proud of all the staff, trustees, volunteers, collaborators, visitors, and members who have made this happen. Our team focused this year on just three things: making the museum more comfortable, hosting new participatory events, and partnering wherever possible. They all have in concert, and they build on each other.

Audience 47

Audience Museum Participatory History 47

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Evaluation 49

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 29, 2006

I met Janet Salmons many years ago while I working on various arts and technology projects in New York State for the New York Foundation for the Arts. I started in the Cornell University Center for Theatre Arts , where I founded and directed two programs: Cornell Theatre Outreach and the Community-Based Arts Project.

Arts 50

Arts Community Online Intergenerational 50

Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. In this report, the authors describe three specific models for public participation: contribution, collaboration, and co-creation. This isn't just a rhetorical question.

Public 36

Public Research Participatory Report 36

Museum 2.0

DECEMBER 28, 2010

Every once in a while I come across a project I wish I could have included in The Participatory Museum. an exhibition produced with schoolchildren at the Wallace Collection in London, is a lovely example of co-creation that demonstrates the multiple benefits of inviting audience members to act as partners in arts organizations.

Children 46

Children Museum Create Project 46

Museum 2.0

APRIL 3, 2009

We tried this at the Denver Art Museum last week, and it is incredibly challenging—you can’t just put out a box of chocolates and expect people to talk. And if any of you want to try some acroyoga (shown in the photo at top), consider coming to the Creativity and Collaboration retreat or cornering me at a carpeted moment at a conference.

Experiment 20

Experiment Seattle Indianapolis Denver 20

Museum 2.0

JUNE 27, 2008

Where do our eyes go to in art? How can we take eyes off of the TV and put them on art; how do we make the art as attractive as TV? It will be interesting to see how people react to the conference and whether they feel valued or put upon in the participatory sessions.

Studies 20

Studies Associations Houston Museum 20

Museum 2.0

SEPTEMBER 24, 2014

Two weeks ago, I wrote about t he use of the word "quality" in the arts and its many forms. Inspired by Stacy, I wanted to share some of the work we are doing at the Santa Cruz Museum of Art & History to clarify what we mean by engagement. This is a big year for us in naming and evaluating our work. Engagement?

Goal 48

Goal Museum Evaluation History 48

Everyaction

OCTOBER 5, 2016

The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. Opportunity Collaboration. Opportunity Collaboration.

Conference 111

Conference Calendar DC Washington 111

Museum 2.0

MARCH 17, 2010

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Interest in the collaborative writing process. Tags: Book: The Participatory Museum. What did they do?

Participatory 32

Participatory Museum Process Experiment 32

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? But for museum and art wonks, it could be. Several artists offer surprising insights into making participatory projects appealing to visitors. No, this is not a reality TV show.

Artist 39

Artist Museum Project Public 39

Museum 2.0

MAY 8, 2013

At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. One of our core programming goals is to build social capital by forging unexpected connections between diverse collaborators and audience members. Museum of Art and History programs social bridging'

Museum 55

Museum Social Arts History 55

Museum 2.0

APRIL 18, 2012

For a long time, I knew I cared deeply about designing from "me to we" --inviting visitors to form social connections through participatory experiences--but I couldn't express a clear reason why. I'm just glad it did--and I want to do whatever I can to make it happen more often. Social bridging is becoming my why.

Community 42

Community Teen Build Social 42