Tech Soup

JULY 6, 2012

As recently noted by Frank Barry of Blackbaud, technology plays a key role as the art and culture sector engages its audience. Siembieda-Gribben structured the hackathon to maximize learning and shared knowledge. To tackle the challenge, Zero1 decided to create an app.

Arts 58

Arts Tech San Francisco Proposal 58

Museum 2.0

OCTOBER 24, 2012

We actively seek participation and develop structured opportunities for visitors to collaborate with us. It's not unusual for me and our public programming staff members to have several short interactions every week with newcomers who walk in the door with idiosyncratic visions for cultural engagement. The magic isn't by design.

Platform 41

Platform Open Museum Participatory 41

Museum 2.0

FEBRUARY 15, 2012

I'm personally most excited about the two types of interns who will be reporting to me: Community Research interns, who will start developing a methodology for us to use to understand how people in Santa Cruz connect with arts and culture experiences and what role the museum can play in satisfying their interests. Sounds good?

Museum 34

Museum Participatory Arts Attitude 34

Media Cause

AUGUST 9, 2021

While much of the branding and design inspiration we run across is either from consumer brands or individual artists, it all provides us with the opportunity to discover new principles, practices, and approaches that we can incorporate into our nuanced nonprofit world. What would the structure be like? What about content?

Design 52

Design Experiment Nonprofit Collaboration 52

Museum 2.0

APRIL 19, 2016

It was especially valuable to have activists, retired government employees, and social service leaders on the team; they brought helpful perspectives on what advocacy means beyond a cultural context. We wanted enough of a process to provide clarity and structure without too many hoops. We educate the public on local issues.

Policy 20

Policy Advocacy Create Museum 20

Connection Cafe

SEPTEMBER 24, 2020

As we head into the final months of 2020, some parts of the country are opening up more than others, consumers are itching to get out of their homes, and arts and culture organizations are at a pivotal moment in planning for their comeback. But that’s far from everyone, and those roles aren’t required on site every day.

Arts 30

Arts Culture Organization Stream 30

Museum 2.0

SEPTEMBER 18, 2013

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

JUNE 16, 2020

I cannot identify a single strategy-level decision maker with visitor-centered expertise and enough cultural competency to develop and apply successful, proven methodologies in-house, let alone share with other institutions nationwide and beyond. The entire system and structure of this country has been built on racism.

Museum 22

Museum Detroit Arts Leadership 22

Have Fun - Do Good

OCTOBER 19, 2006

The 3rd Annual Artivist Film Festival & Awards ' mission is to strengthen the voice of international activist artists and raise public awareness of global issues. Youth Network My country was at war for 36 years and community structures and resources have been destroyed. Barbra Streisand. DIANA'S STORY (0:06) Dir - Listen Up!

Award 40

Award Senegal San Francisco India 40

Have Fun - Do Good

JUNE 7, 2006

We also run after school programs, where we have curriculum that is based on teaching youth –mostly elementary and middle school aged kids – about community service and civics and cultural awareness. I’m responsible for the building and maintenance of relationship with artists, artist management and tour production crews.

Teach 40

Teach Campaign Info Volunteer 40

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 27, 2009

Chris Anderson’s The Long Tail Note from Beth: In 1993, I worked as the "network weaver" for an online network for individual artists called "Arts Wire" where I facilitated online conversations, provided technology support and training. And at this level I, along with my coworkers, play a number of roles. Museums are changing.

Museum 82

Museum Arts Artist Conservancy 82

Non Profit Quarterly

AUGUST 10, 2022

The term platform cooperativism is relatively new, introduced in 2014 by Trebor Scholz, associate professor of culture and media at the New School in New York City. For instance, Stocksy United, a platform cooperative for photographers, videographers, and artists generally, has a fair wage distribution system for members. 9</sup).

Platform 140

Platform Technology United States New York 140