Museum 2.0

APRIL 26, 2018

Executive Director Nina Simon, who was hired in 2011, says that in the years following the global financial crisis, the facility was struggling. “At I'm also always interested in how the national media portrays changes in the cultural sector. One that has found remarkable success is California’s Santa Cruz Museum of Art & History.

Audience 49

Audience Washington Museum Intergenerational 49

Museum 2.0

FEBRUARY 1, 2012

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?

Arts 45

Arts Museum Artist Tucson 45

AccelEvents

NOVEMBER 17, 2020

A music festival, food festival, or cultural festival, to name a few, can bring people together in some of the best ways. . However, with the rise of COVID-19, festivals all over the world were put on hold, and the events industry, artists, and festival vendors were forced to find other ways of sharing their passions with the world. .

Movie 52

Movie Music Stream Virtual 52

Museum 2.0

APRIL 29, 2015

When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. We had incredible success transforming our institution into a vibrant cultural center. In some ways, we do a good job engaging people who reflect our whole County. Finally, we define our community by affinity.

Build 20

Build Community Museum Artist 20

Museum 2.0

JULY 1, 2011

I've now been the Director of The Museum of Art & History in Santa Cruz for two months. It really reflects what we're trying to do here to transform our institution into as relevant, dynamic, and successful an organization as possible. Lots more on this in the months to come, but I thought you might like to read the article.

Museum 31

Museum History Arts Work 31

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

It is a useful technique for creating a more responsive, flexible organizational culture as well as coming up with more innovative ideas for programs and grants that are a good fit. How do we leverage the “rain” of culture change?3. How might we reimagine our goals so they aren’t trapped by old power values and/or culture?

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

JUNE 12, 2013

By inviting people to actively participate with us in co-creating programming, we empower them as creative agents, cultural producers, and people for whom the museum is a relevant, compelling partner. Over time, we are getting more attractive couches that reflect a unified design aesthetic. We believe in fearless experimentation.

Museum 55

Museum Learning History Arts 55

Have Fun - Do Good

FEBRUARY 1, 2007

--Olivia Greer, Producing Director, Women Center Stage, about her experience at the 2007 World Social Forum in Nairobi. Just over a year ago, musician, Olivia Greer , was commissioned by Culture Project , a New York City theater company, to write a song for the Women Center Stage Festival. Performances will include the play, "St.

Arts 40

Arts Activities Active Activism 40

Museum 2.0

AUGUST 29, 2012

I'm focusing on the community response to the prospect of the millage and the way the public debate reflects broader conversations about the public value of the arts. Your cultural outlet is art galleries and symphonies. Education, Culture (Symphony, Opera, Museum), Sporting venues, Shopping, Crime & Safety, etc."

Detroit 49

Detroit Arts Public Support 49

Museum 2.0

JUNE 8, 2010

Reading The Great Good Place provides an opportunity as museum professionals to identify third places in our community, reflect upon our relationship to them, and consider the ways our museum could be a third place for members in the community. It’s not indifferent to the culture that already exists there.

Place 27

Place Museum Discussion Pennsylvania 27

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.

Artist 39

Artist Museum Project Public 39

Neon CRM

SEPTEMBER 21, 2023

Peer-to-Peer Events Arts & Culture Events Community Events Educational Events Events for Grown-Ups Events for Kids & Families Nonprofit Peer-to-Peer Events Peer-to-peer events raise funds and generate buzz by having your supporters and participants get their networks involved in your event. The possibilities are endless!

Ideas 52

Ideas People Local Classes 52

Media Cause

FEBRUARY 15, 2022

Sarah Ackerman, Director, Copy + Content. Director of Strategic Marketing. On the production side: Finding the right lighting, styling, hair, and makeup artists are all part of the ongoing conversation around genuine, equitable representation. NOT : This is one of those cases that prompts self reflection. Taylor Cote, Sr.

Photography 52

Photography Artist Disaster Director 52

Museum 2.0

DECEMBER 8, 2006

Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). the question of how cultural objects are defined and valued and 2. My favorite pieces of this conversation dealt with 1. Definitely.

Interview 20

Interview Museum Culture Sound 20

Museum 2.0

JUNE 16, 2020

I cannot identify a single strategy-level decision maker with visitor-centered expertise and enough cultural competency to develop and apply successful, proven methodologies in-house, let alone share with other institutions nationwide and beyond. We constantly have to justify and defend our expertise, often unsuccessfully. And it shows.

Museum 22

Museum Detroit Arts Leadership 22

Museum 2.0

JULY 31, 2007

But today, a conversation about the often sticky world of cultural interpretation with chapter 20, "A Jew Among Indians" How working outside of one's culture works." This first issue is about cross-cultural understanding. active use of artifacts?) an "uncharted adventure."

Culture 20

Culture Storytelling Challenge Museum 20

Museum 2.0

JULY 11, 2008

We’re not accustomed to the idea that they are enfranchised in the cultural process. No, these are neither the words of a self-important curator nor a well-spoken museum director. I asked Shelley if she received any negative feedback from the artists about their work being treated like data rather than art.

Museum 20

Museum Artist Photography Arts 20

DipJar

AUGUST 24, 2022

Erica is the director of external relations, a position she has held since joining the library in 2017. It was the programming, culture, and vision of the library that attracted her, and the challenge that has kept her engaged and excited ever since. In that role, she is responsible for marketing, communications, and fundraising.

Library 105

Library Public Local Reflection 105

Have Fun - Do Good

JUNE 30, 2007

The speakers were Alli Chagi-Starr, who is the Co-Founder of Art in Action ; Ilyse Hogue, the Campaign Director for MoveOn.org ; Melinda Kramer, the Founder and Director of Women's Earth Alliance ; and Reem Rahim, the Co-Founder and Vice President of Marketing for Numi Tea. Does anyone in the room identify as an artist, by any chance?

Podcast 40

Podcast Arts Oakland St. Louis 40