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Reflections on a Weekend with Ze Frank and His Online Community

Museum 2.0

Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. The group was mostly young (teens to thirties) and nerd-diverse: a little bit punk, a little bit hacker, a little bit craft grrl. Or that visitors form a spontaneous "laugh circle" on the floor. It was pretty freaking amazing.

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Year Three as a Museum Director. Thrived.

Museum 2.0

It has some of the same feel as the disconnected affection of people wishing you a happy birthday on Facebook, with professional reflection baked in. Seeing so many cheerful one-liners in my inbox made me think about how different my work situation is today than the last time I reflected on it in public in 2012, at my one-year anniversary.

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Why I Blog

Museum 2.0

You''re in for a treat, with upcoming posts on creativity, collections management, elitism, science play, permanent participatory galleries, partnering with underserved teens, magic vests, and more. Reflective time is important, especially when your work is hectic. It is this community--you--that I want to reflect a bit more on.

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Benetech and the Liberian Truth and Reconciliation Commission

Beneblog: Technology Meets Society

Benetech Analyzes Human Rights Data for the Liberian Truth and Reconciliation Commission A Guest Beneblog post by Kristen Cibelli Our team at the Benetech Human Rights Data Analysis Group (HRDAG) has recently concluded a three-year project with Liberian Truth and Reconciliation Commission to help clarify Liberia's violent history.

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How Different Types of Museums Approach Participation

Museum 2.0

History Museums OPPORTUNITIES - History museums are in many ways the best-suited for visitor participation. As cultural anthropology has swung away from a vision of authoritative history and toward the embrace of multiple perspectives, there is potential for those stories to come from all over the place, including visitors themselves.

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12 Ways We Made our Santa Cruz Collects Exhibition Participatory

Museum 2.0

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. The content focuses on the question of WHY we collect and how our collections reflect our individual and community identities.

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Six Steps to Making Risky Projects Possible

Museum 2.0

What new projects might allow you to better reflect those aspirations? I used the example of two very different exhibitions that solicited visitor-contributed content: Playing with Science at the London Science Museum, and MN150 at the Minnesota History Center.

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