Museum 2.0

JULY 7, 2010

Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." Most museums that offer interactive exhibits, media elements, or participatory activities offer them alongside traditional labels and interpretative tools. Fabulous!" "But

Audience 40

Audience Museum Oakland Participatory 40

Museum 2.0

DECEMBER 7, 2007

I got my copy of the fall issue of Museums and Social Issues this week. The theme is "Civic Dialogue," and the journal includes articles on the historical, cultural, media, and museum practice of getting people talking to each other (including one by me about such endeavors on the web). A place many museums are not.

Museum 22

Museum Lecture Denver San Francisco 22

Museum 2.0

JUNE 12, 2012

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.

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Participatory Museum Blackboard Game 51

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. o is Transparency - and the best example of that is what the Indianapolis Art Museum has done with its pubic metrics on its web site.

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Arts Social Media Examples Artist 74

Museum 2.0

NOVEMBER 2, 2008

Today, Museum 2.0 I started the Museum 2.0 blog in 2006 as a personal learning exercise about "the ways that museums do and can evolve from 1.0 I started the Museum 2.0 blog in 2006 as a personal learning exercise about "the ways that museums do and can evolve from 1.0 and watched the Museum 2.0

Museum 20

Museum Voice Minnesota Participatory 20

Museum 2.0

JULY 27, 2009

I’ve long admired Improv Everywhere , the NYC-based participatory public art group. For about half an hour, hundreds of people play together, silently, as directed by disembodied voices inside their headphones. The voice tells you what to do –stand up, shake hands, play Twister, make silly shapes—and you do it.

Instruction 21

Instruction Instructional Nicaragua Experiment 21

Museum 2.0

MARCH 17, 2010

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Check out the other parts here. What did they do? Why did they do it? What did they get out of it?

Participatory 32

Participatory Museum Process Experiment 32

Museum 2.0

MARCH 24, 2010

This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. As the participatory content review progressed well, I started looking for other ways for people to help.

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Participatory Museum Process Experiment 33

Museum 2.0

JUNE 6, 2008

On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. Give away the fun (and easy) part. Some museum pros have been puzzled by this.

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Virtual Tech Lesson Develop 21

Museum 2.0

MAY 15, 2008

Radiolab does what I hope all great museum exhibitions can do--take a deep topic and make it compelling on many levels. Which brings me to museums and how we present content. Could you imagine a curator, designer, or museum educator speaking this way about an exhibition? So maybe it isn't just about novice voice.

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Conversation Arts Museum Voice 20

Museum 2.0

JULY 17, 2008

Traditional exhibition design, in which the museum has a specific story or message to tell, doesn't easily accommodate visitor co-creation. But there are other times when the message isn't simple, and in those cases, visitor voices can help strategically shape multi-dimensional exhibitions. It was really fun!

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Interview Minnesota Museum History 21