Museum 2.0

FEBRUARY 24, 2010

Imagine if Netflix encouraged people to rate movies but did not provide customized recommendations based on their ratings. Why go to the trouble of creating content if nothing is going to happen because of it? When I talk about Web 2.0 Such participatory activities would be seen as a waste of time. Why does this happen?

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Participatory Museum Rate YouTube 35

Nonprofit Tech for Good

DECEMBER 14, 2022

Access to password-protected content like checklists for camping with kids or sample lesson plans for outdoor educators. Access to exclusive digital content. Subscription to your magazine or paper/print newsletter with exclusive interviews, content, features, and updates. Option to observe your programs in action.

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Donor Sponsor Accessibility Music 337

Museum 2.0

JANUARY 28, 2009

Jane believes that introducing clear, intentionally designed gaming structures can make people happier as they work, explore their communities, and deal with tough personal and collective challenges (like climate change, as evidenced in the game World Without Oil ). Voting is a real-life activity that suffers from poor extrinsic structure.

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Museum Game Structure South America 21

Beneblog: Technology Meets Society

JULY 27, 2011

Answer : • Countries should provide for a copyright exception in their national laws to allow nonprofit organizations serving people with disabilities to make accessible versions of inaccessible books and other content • Import and export of such accessible materials shall be permitted 2. Question: Why is this a good idea?

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Accessibility Global United States Copyright 150

Museum 2.0

MAY 16, 2007

I want to see more multi-person exhibits, more prompts for discussion about content, more tools to facilitate connecting wtih other visitors whose interests are similar or in some way useful to your own. Structure the space with a clear story (and commensurate rules). But are these potential interactions safe?

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Museum Myspace Facilitation Social Network 20

Museum 2.0

JUNE 13, 2007

They provide entry points to a collection of discrete, varied content experiences. In most stores, you can “try” the content in some way without making a purchase. Mall content connects strongly to people’s lives. Malls offer changing, contemporary content. Malls offer competitive content.

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Lesson Museum Music Classes 20

Museum 2.0

MAY 4, 2007

If anyone out there is considering creating an industry catch-all site for museum-related content, I highly recommend Gamasutra as a model. Confusion over the “rules” of visitor relationship to museum content has led me to have many humorous experiences with museum guards. Am I supposed to look respectfully or explore exuberantly?

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Game Storytelling Lesson Museum 20

Museum 2.0

FEBRUARY 15, 2008

Today, we take a page from Wallace Stevens and look at some alternative ways to structure museum admissions and pricing. In downtown DC, there's a burrito place right across the street from a movie theater that offers a package deal--$12 for a movie ticket and a burrito. Get rid of the admissions desk.

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Museum Movie Local Model 28

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 13, 2007

I personally want to move away from the metaphor of making movies of the computer screen to more shoulder-to-shoulder instructional media and perhaps something that is more participatory or for lack of a better word, social. Again, shows me the power of open content and open source thinking. Maybe it is more like moment capture. (It

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Screencast Instruction Instructional Tag 50

Nonprofits Source

JUNE 4, 2019

Nonprofit’s use SEO as a method to distribute their content and drive visitors to their website through organic search. Websites Provide Control Over Your Content. Unlike social media, you have full control of how your content is displayed and distributed to visitors on your website. WordPress Is Cost Effective.

WordPress 40

WordPress Websites Plugin Create 40

Museum 2.0

MAY 28, 2014

Now, NYSCI is experimenting in a new medium, with a very tough and adult content focus. I sat down with Eric Siegel, NYSCI’s Director and Chief Content Officer, to learn more about False Conviction. I was struck by how this is partly interactive, but within a structured, linear narrative. That’s not easy.

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Help Museum eBook Project 45

Have Fun - Do Good

OCTOBER 1, 2006

As we've grown up with it, and we've been doing it since about 1998, it has suddenly become the sort of thing that everybody is talking about now, is how do you do online advertising content that is entertaining and engaging. We've been doing that in the non-profit and social activism space for this whole time.

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Storytelling Causes Interview Free 40