Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 19, 2013

Foundation Review (Vol 5:3) Makes the case that most foundation strategies are unfolding in complex and dynamic environments, and foundations need a more committed approach to learning and strategic adaptation. Do you need share of voice metrics requiring vast amounts of competitive data from across the web? In which formats?

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Social Media Channel Data Media 100

Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. They provide detailed case studies of projects in each area, including project descriptions, informal science education goals, participant training techniques, and evaluation outcomes.

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Public Research Participatory Report 36

Museum 2.0

JULY 20, 2016

At Riverside, I was impressed by the consistent integration of community voices in label text, and the very human take on a genre (transportation) that is often presented strictly in terms of technology and provenance. That work showed in the human voices and stories throughout the museum.

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Museum Audience Music Arts 20

Museum 2.0

MARCH 24, 2010

This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. As the participatory content review progressed well, I started looking for other ways for people to help.

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Participatory Museum Process Experiment 33

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 18, 2011

Note from Beth: Since the concept of working in Networks is can be hard to explain to newcomers, learning from case studies, stories, and examples can be illuminating. In the morning, each of the ten case study presenters gave a 5 minute “teaser ” about their case study or what one presenter called “showing a little leg.”

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Open Source Open Case Study Wikipedia 92

Museum 2.0

MARCH 10, 2010

This is the first of a four-part series on the behind-the-scenes experience of writing The Participatory Museum. Overview: Stages of Development and Participation Types The Participatory Museum was written over a 15 month period that began in December of 2008. Next week, part 2 will focus on participants' experiences.

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Participatory Museum Statistics Process 21

Museum 2.0

AUGUST 7, 2008

Yes, the Exploratorium is also present in these arenas as a "talker" (more on that next week), but it is just one voice among thousands. Tags: Book Discussion: Groundswell marketing participatory museum. to make recreation decisions, reading blogs to form an impression, watching videos to get my feel for a place--these Web 2.0

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Museum Teen Second Life Discussion 20

Everyaction

OCTOBER 5, 2016

The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. New voices energizing conversations. 10/26/2016.

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Conference Calendar DC Washington 111

Museum 2.0

OCTOBER 8, 2008

In these conversations, people often say, "don't expert voices matter?" It lets you be the only expert with a voice. Single voices represented on single labels is not scalable. There are some emerging case studies for this. Ideas participatory museum usercontent. and my emphatic response is YES.

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Authoring Platform Museum YouTube 42

Museum 2.0

MARCH 6, 2019

While I originally wrote this post to advocate for more participatory practice (i.e. In these conversations, people often say, "don't expert voices matter?" It lets you be the only expert with a voice. Single voices represented on single labels is not scalable. There are some emerging case studies for this.

Authoring 44

Authoring Share Museum YouTube 44

Museum 2.0

APRIL 19, 2010

Louise presents findings from case studies featuring dance, opera, and theater companies that do superlative work with non-professionals and audience members. When an institution becomes wholly participatory, those distinctions often erode. That's not to say these structures came easy.

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Arts Participatory Museum Artist 22