Beth's Blog: How Nonprofits Can Use Social Media
NOVEMBER 29, 2010
Enabling a Participatory Culture using Creative Commons Licenses by Gautam John. Such a model rests on the idea of a participatory culture and an essential ingredient is a permissive licensing strategy – Creative Commons licenses offers us this, a large community with shared values and an ecosystem to tap in to.
Museum 2.0
JUNE 10, 2010
While there, I was lucky to get to experience a highly participatory exhibition that the MIA mounts once a decade: Foot in the Door. This year, the MIA also accepted audio/video submissions of up to 80 seconds, which are displayed on a Vimeo site. Tags: exhibition design participatory museum usercontent.
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Museum 2.0
JANUARY 30, 2013
Earlier this year, I was fascinated to read the account of a participatory project at the Morrison County Historical Society in Minnesota, in which community members were invited to write essays about “what’s it like” to have various life experiences in the County. We struggle with how to save digital media.
Tech Soup
MAY 27, 2011
Live: Participatory Events, Webinars, Conversations, Local and Global. has potential for global meetings, public educational events with participation, and remote engagement via webcam. ReadyTalk — This standard for webinar production offers integrated slides, screensharing, live moderated chat, and high-quality recorded audio.
Beth's Blog: How Nonprofits Can Use Social Media
DECEMBER 21, 2006
I listened to the audio feed of him talking to the kids, answering their questions. To some degree, the educational value is in being able to reinvent the world. s a powerful educational thing. s educational. s nothing intrinsically educational about Second Life. with audio archive of session can be found here.
Museum 2.0
OCTOBER 1, 2014
Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. Why did you choose this format instead of video?
Museum 2.0
MAY 3, 2011
Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way.
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