Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

OCTOBER 1, 2014

They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank. Projects participatory museum storytelling usercontent'

Museum 43

Museum Story Project Design 43

Museum 2.0

JULY 7, 2010

Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." Most museums that offer interactive exhibits, media elements, or participatory activities offer them alongside traditional labels and interpretative tools. Fabulous!" "But

Audience 40

Audience Museum Oakland Participatory 40

Museum 2.0

MARCH 28, 2012

We had about thirty participants ranging from MAH trustees to artists, educators to architects, moms to grandfathers. There's useful energy that arises when you put a teacher, a techie, a mom, and an artist in a group and ask them to work together. It was an evening meeting with beer and chips.

Program 49

Program Community Design Museum 49

Museum 2.0

MAY 21, 2014

Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County. Participatory work can be very labor-intensive. Three years later, we''re out of turnaround and into growth mode.

Museum 49

Museum Director History Teen 49

Museum 2.0

APRIL 29, 2015

For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media. That’s why we partner with fire sculptors, knitters, graffiti artists, and bonsai growers. They are artists whose experience deserves a home in our institution alongside painters, photographers, and sculptors.

Build 20

Build Community Museum Artist 20

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

In some ways, a design lab can be thought of as “participatory research and testing.”. I’ve been facilitating design labs for nonprofits and foundations, and continue to be excited about them because it is a way to generate feedback and ideas that can improve a strategy or program in service of the participants being served.

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

MAY 3, 2011

They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way. We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank. How and why did Object Stories come to be? So what did you do next?

Story 53

Story Interview Museum Audio 53

Museum 2.0

JUNE 27, 2008

The VSA has replaced their keynotes with structured group dialogue. But the VSA has taken an intentional approach to these structured conversations with the goal of putting the (arguably) best part of conferences—the side conversations and hallway discussions—front and center. My first reaction was skepticism.

Studies 20

Studies Associations Houston Museum 20

Museum 2.0

MAY 5, 2009

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! which followed a very strict formula that frustrated some participants who wanted to be treated like artists, not contributors to a data experiment.

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

SEPTEMBER 20, 2010

First, we realized that our museum is different from other museums, but our benefits and membership structure were the same as others. In some cases, the artist is not comfortable, or there are insurance and liability issues. How did this project start? It started over a year ago, with a couple of moments of insight.

Interview 46

Interview Director Museum Arts 46

Museum 2.0

JUNE 6, 2008

Our job was to provide a structured environment in which to develop ideas and the expertise to build the best of them. People who work with non-professionals on participatory projects often talk about finding "neutral" sites for meetings or meeting on their (the non-professionals') territory.

Virtual 21

Virtual Tech Lesson Develop 21

Museum 2.0

JULY 24, 2012

When we talk about making museums or performing arts organizations more participatory and dynamic, those changes are often seen as threatening to the traditional arts experience. What if historic arts experiences were actually a lot more participatory? But what if the "traditional" arts experiences is a myth?

Greece 51

Greece Arts Industry Participatory 51

Museum 2.0

SEPTEMBER 15, 2009

The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. Many museums do not provide participants with clear terms surrounding their submissions, and for savvy people (especially artists!) In their personal statements, beach artists wrote about profound connections to nature.

Project 38

Project Museum Artist Map 38

Museum 2.0

APRIL 19, 2010

When asked why these artistic directors were pursuing co-creative processes, "to make great art!" Respondents also talked about growing as artists through the process and the incredible things they learned from working with non-professionals. When an institution becomes wholly participatory, those distinctions often erode.

Arts 22

Arts Participatory Museum Artist 22