Museum 2.0

FEBRUARY 15, 2012

These are unpaid part-time and full-time opportunities to help design public programs, develop new uses for the museum, perform visitor research, and pursue unusual projects. Our internships have generally gotten more structured.

Museum 34

Museum Participatory Arts Attitude 34

Museum 2.0

SEPTEMBER 18, 2013

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

MAY 3, 2011

They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way. Then we started working with our local design and technology firms— Ziba Design and Fashionbuddha —and in the prototyping, it became clear we had to go another way.

Story 53

Story Interview Museum Audio 53

Museum 2.0

MAY 21, 2014

Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County. Participatory work can be very labor-intensive. Three years later, we''re out of turnaround and into growth mode.

Museum 49

Museum Director History Teen 49

Museum 2.0

MAY 5, 2009

I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click!

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

APRIL 29, 2015

For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media. That’s why we partner with fire sculptors, knitters, graffiti artists, and bonsai growers. They are artists whose experience deserves a home in our institution alongside painters, photographers, and sculptors.

Build 20

Build Community Museum Artist 20

Museum 2.0

JUNE 27, 2008

The VSA has replaced their keynotes with structured group dialogue. But the VSA has taken an intentional approach to these structured conversations with the goal of putting the (arguably) best part of conferences—the side conversations and hallway discussions—front and center. My first reaction was skepticism.

Studies 20

Studies Associations Houston Museum 20

Museum 2.0

JUNE 6, 2008

I was the project manager/curator for the exhibition, leading both the Second Life-based community exhibit design process and the real world translation of virtual exhibits. We shrunk the exhibit design process (concept to floor) from 2 years to five months. One exhibit designer told me, "we never seem to lack for good ideas.

Virtual 21

Virtual Tech Lesson Develop 21

Museum 2.0

SEPTEMBER 15, 2009

The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. And yet this reward, mixed with an intelligent project design, are enough to make this project attractive to people all over the world. The World Beach Project does not exist in the V&A Museum. It's not marketing hype.

Project 38

Project Museum Artist Map 38

Museum 2.0

APRIL 19, 2010

User participation is a design and program strategy, and it should be used to make institutions better overall. When asked why these artistic directors were pursuing co-creative processes, "to make great art!" For Louise, the focus on "making great art" doesn't just demonstrate these artists' commitment to the co-creative process.

Arts 22

Arts Participatory Museum Artist 22