Alternative Artist Environment Tag 
Museum 2.0
JULY 26, 2010
It was started in 2003 and is run by Mark Allen and a collective of artists, many of whom have also been applying their talents by performing "interventions" at formal art institutions including LACMA, the Hammer Museum, and the Contemporary Art Museum in St. Tags: Unusual Projects and Influences. PieLab (Greensboro, AL).
Museum 2.0
SEPTEMBER 4, 2007
The fine folks at ASTC must have made a teensy oversight when they neglected to include my favorite tech museum in the conference proceedings, so I'm remedying the situation by sponsoring a conference alternative on Sunday afternoon, October 14: lunch and a visit to the Museum of Jurassic Technology. TUESDAY in "Web 2.0 What's Next?"
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Museum 2.0
JUNE 25, 2009
The goal of the experience was to interview selected artists and give visitors some insight to their efforts and process. We wanted artists that felt very human and dispelled the idea that the creative process was a magical one but rather took real effort with some days being great, others not so much.
Museum 2.0
SEPTEMBER 29, 2009
Taking pleasure in hidden things increases when you live in an environment where everything is available and highly documented. In 2007, I interviewed digital artist Jason Nelson about his work creating strange games and he talked at length about the beauty of working with hidden things and creating intentional "weirdness."
Museum 2.0
JUNE 12, 2009
In the other case, the institution was unwilling to engage in the conversational environment and ended up isolated, fueling the fire. Here’s what happened: an art critic named Jerry Saltz posted an incendiary note on Facebook about the very low representation of women artists on the 4th and 5th floors (painting and sculpture) of MoMA.
Museum 2.0
JANUARY 18, 2008
Our proto-users are artists, architects, university professors, mathematicians, engineers who have already been experimenting with creating interactive environments and objects within the virtual world. I can talk to an artist about her digital storytelling piece while watching two engineers experiment with a sensor-rich dance floor.
Museum 2.0
NOVEMBER 17, 2007
The interview includes stories about some of his projects, and a delving into questions about what makes viral content compelling, how to draw people into an uncomfortable environment, and ways that art--or museum content--can become more pervasive by being hidden in the corners of life. What do you think has made you successful?
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