Museum 2.0

OCTOBER 30, 2013

The book of the same title that he edited is rocking my world, both as a museum professional who cares about inclusion and as a new mother. My biggest question for these social psychologists is this: how do we apply their lessons to our work? I realize that I may sound like a college freshman who just discovered Psych 101, but heck.

Measure 47

Measure Arts People Museum 47

Museum 2.0

JULY 10, 2018

The museum was in huge financial trouble. My expertise was on inviting strangers to participate in public settings like museums. But for some reason, I applied none of those lessons to my new situation. It's an easy read, and if you're like me, you'll want to put it into practice right away. Take the lead. Set the table.

Hosting 31

Hosting Arts Help Museum 31

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2014

The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. A good facilitator knows how to shift or tweak the lesson plan in real time if it isn’t working as planned. Pivots can make the difference between a successful session and disaster.

Reflection 124

Reflection NTEN Change Facilitation 124

Museum 2.0

JUNE 22, 2009

I'm working on a personal project (slowly) to open a cafe/bar venue that is also a design incubator for participatory exhibits. My goals are two-fold: to develop a dynamic, creative, social platform for my community and to distribute its successful elements to other civic learning institutions (museums, libraries, community centers).

Action 31

Action Ideas St. Louis Museum 31

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

OCTOBER 29, 2009

Last week, Jim Richardson and I hosted MuseumNext , a 24-hour workshop for museum professionals focused on bringing new, wild museum projects into the world. We also ended the entire event with one of my favorite exercises, the Exquisite Corpse game, in which participants co-created comics of their craziest museum dreams.

Facilitation 32

Facilitation Reflection Museum Participatory 32

Museum 2.0

JUNE 6, 2008

On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. Some museum pros have been puzzled by this. Give away the fun (and easy) part.

Virtual 21

Virtual Tech Lesson Develop 21

Museum 2.0

FEBRUARY 7, 2011

Maybe it's a live music concert, or a museum visit, or a play. Museums and other venues are offering special programs for teens, for hipsters, for people who want a more active or spiritual or participatory experience. Soccer leagues, weekly yoga, six-session guitar lessons, theater season passes. You have a great time.

Arts 50

Arts Museum Music Calendar 50

Museum 2.0

JUNE 15, 2009

They reminded me of street vendors or great science museum cart educators, imparting an energy to the space without overwhelming it. This is a good lesson for museum talk-back design. What advice do you have for ways we might advance the practice of exhibit design for social interaction?

Advice 31

Advice Museum Facilitation Student 31

Museum 2.0

JUNE 11, 2014

This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. Pop Up” has become an international buzz term to describe ephemeral, experimental projects--from pop up restaurants to pop up boutiques--but a “Pop Up Museum” is still somewhat mystifying.

Museum 49

Museum Grant Lesson History 49

Museum 2.0

APRIL 19, 2010

"How often do we hear colleagues from museums and galleries stating as their fundamental reason for working co-creatively with audiences that they want to make a great piece of museum work, rather than primarily for reasons of social inclusion or democracy?"

Arts 22

Arts Participatory Museum Artist 22