Beth's Blog: How Nonprofits Can Use Social Media
MARCH 3, 2009
People can add and embellish your content and if you have access to the remix, it can give you new ideas. Here's a few (good) examples of how I have remixed other people's work or other people have remixed my work. Remix This Powerpoint. The presentation itself is a remix of a remix. to Change The World.
Beth's Blog: How Nonprofits Can Use Social Media
JUNE 3, 2005
And, for a museum that is presenting contemporary art -- anything that helps us demystify the artistic process and better understand the art is, in my opinion, a good thing. Well, I for one can't wait until the other departments start blogging and will keep an eye on the teen program to remix Walker.
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Beth's Blog: How Nonprofits Can Use Social Media
JANUARY 26, 2007
These are canonical fair uses -- an artist who takes from another artist and uses his work to make new work. The pro remix message: Culture is well-served by liberal rules that let one person remix another's creation. The anti remix message: The exhibition policy on photos: no photos are allowed in the exhibit.
Beth's Blog: How Nonprofits Can Use Social Media
JUNE 7, 2007
On Tuesday, I facilitated an introductory workshop on how nonprofits can use social media in Boston at the nonprofit technology conference and yet another remix of the curriculum wiki , presentation , and game designed by David Wilcox. She is the third person to mention a remix. It gave my seven year old a good laugh!).
Beth's Blog: How Nonprofits Can Use Social Media
DECEMBER 12, 2006
So, of course I wanted to remix it. from the date of the painting but for the life of the artist + 70 years after. from the date of the painting but for the life of the artist + 70 years after. Is it Munch's birthday? Ah, a quick mouseover and it is birthday. Then my next thought was "Does this represent fair use?"
Museum 2.0
OCTOBER 17, 2012
Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. We invited local artists and community groups to perform. We make room for interns and artists and people who walk in the door with crazy ideas.
Museum 2.0
OCTOBER 29, 2010
To construct the video, artist Chris Milk assembled images and footage of Johnny Cash in a sequence along with the song. While the drawing tools could be more intuitive, remixing a reference image is likely less scary for non-artists than other more involved ways to produce a frame. That's hardly revolutionary.
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