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Dreaming of Perpetual Beta: Making Museums More Incremental

Museum 2.0

When I started this blog in 2006, I made a multi-media introduction to the concept of "museum 2.0" Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. The museum gets better the more people use it.

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Equity in Arts Funding: We're Not There Yet. We're Not Even Close.

Museum 2.0

There's the barrier of artistic quality--funders, trustees, or staff members who argue that work by non-canonical artists is not up to the standards of the institution. There's the barrier of the concern that this work is "social work" and not art--and therefore doesn't belong in a museum or a theater.

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Museum 2.0 Rerun: Answers to the Ten Questions I Am Most Commonly Asked

Museum 2.0

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Khan Academy and the Revolution in Online Free Choice Learning

Museum 2.0

But Vi doesn't work in a science museum. Its funding has skyrocketed as major foundations and technology companies have made multi-million dollar grants and investments in its growth. Beth Harris and Steven Zucker, who are well known in museums for their excellent Smarthistory website and podcasts. the way the best museums do.

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How Do You Capture Compelling Visitor Stories? Interview with Christina Olsen

Museum 2.0

Lots of museums these days have video comment booths to invite visitors to tell their stories, but how many of those booths really deliver high-impact content? Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project.

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Sustaining Innovation Part 3: Interview With Sarah Schultz of the Walker Art Center

Museum 2.0

This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). In my experience, innovation is about flexibility, capacity, and collaborative relationships. Guard staff who are willing to let an artist step between two panes of glass to perform.

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150+ Creative Ways to Show Donors Appreciation

Nonprofit Tech for Good

You can collaborate with other nonprofits in your region or in your issue area to investigate whether you can all offer benefits for each other. For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. This can include museums, archives, galleries, etc.

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