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Getting from “no” to “yes” for climate justice

Candid

There is much hand-wringing, but little in the way of actual financial support because most foundations do not see themselves as climate or justice funders. . Of that, in 2019 only a fraction (about $60 million) went to support equity or justice related efforts. Supporting peer organizing and collective funder action. .

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Adventures in Participatory Audience Engagement at the Henry Art Gallery

Museum 2.0

In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. This year, we took a different approach. You can explore the projects in full on the class wiki.

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Trainer’s Tip: Your Room Set Up Can Make or Break the Learning Experience

Beth's Blog: How Nonprofits Can Use Social Media

Yesterday, I spent a day facilitating leadership workshops for arts leaders attending the Art House Convergence Conference near Park City, Utah. Classroom style with desks puts a barrier between the students and the instruction, especially when people are using laptops or tablets to take notes.

Lecture 91
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Personal Stories – Arts Orgs Need Not Apply?

Connection Cafe

This is a guest post from Anah McRae, Manager of Customer Support for Altru at Blackbaud. According to the blog justgiving.com there are 5 key motivators for giving: to support a particular organization, because we are inspired by other’s stories, to support a cause, to feel good, and. to participate in an event. Make it fun!

Arts 37
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12 Ways We Made our Santa Cruz Collects Exhibition Participatory

Museum 2.0

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This exhibition represents a few big shifts for us: We used a more participatory design process. We had some money.

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What Happens When a Viral Participatory Project is Too Successful? Diagnosing the Power of the Love Locks

Museum 2.0

Last week, the international press lit up with a story from Paris : the city is removing the "love locks" from the Pont des Arts bridge. And so, one of the most successful, accidental, and fraught participatory projects of the past decade comes to an end. I support any municipality that feels that the locks must go.

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Lessons in Participatory Design from SFMOMA's Exhibition on (you guessed) The Art of Participation

Museum 2.0

George is a stranger I met last week at SFMOMA’s new show, The Art of Participation:1950 to Now. The Art of Participation provides a retrospective on participatory art as well as presenting opportunities for visitors to engage in contemporary (“now”) works. Here are two pictures. The first one is me. DO message clearly.