Artist Collaboration Structure Test 
Media Cause
AUGUST 9, 2021
While much of the branding and design inspiration we run across is either from consumer brands or individual artists, it all provides us with the opportunity to discover new principles, practices, and approaches that we can incorporate into our nuanced nonprofit world. What would the structure be like? What about content?
Media Cause
SEPTEMBER 29, 2021
What were structures in places at the time? . To look at design’s diversity problem without discussing current and former power structures is to ignore the root causes and only treat the symptoms. Many people can’t afford the things we make, and our imagined users are molded by our biases and current power structures.
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Forum One
OCTOBER 12, 2010
DARPA’s Future Markets Applied to Prediction ( FutureMAP ) program tested whether prediction markets could help identify strategic intelligence. Crowd-funding New Ideas: Funding platforms for artists, musicians, and inventors: Kickstarter and IndieGoGo. " Tags: Influence Collaboration Communication.
Beth's Blog: How Nonprofits Can Use Social Media
SEPTEMBER 29, 2015
In some ways, a design lab can be thought of as “participatory research and testing.”. In this approach, the Brainerd Foundation would focus on fostering sharing and innovation by thinking differently, funding differently, collaborating with other funders differently, and sharing differently—all starting tomorrow.
Museum 2.0
MAY 3, 2011
There hasn’t been a history of collaboration between the museum and the film center and we wanted the chance to partner more deeply, and build a platform where we could continue to do so. We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank. So what did you do next? That is more curated.
Museum 2.0
JUNE 6, 2008
On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. However, the contest also prevented us from legitimately fostering collaboration.
Museum 2.0
SEPTEMBER 18, 2013
Art museums are the least likely to empower their own staff to initiate participatory projects but the most likely to work with artists whose approach to participation might be quite extreme. This kind of engagement ladder provides a structured framework for participation without overly constraining how people get involved.
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