Museum 2.0

AUGUST 14, 2013

And my museum, and this new model, as a space for them to do so. We ran with it and have since generated data about decision-making, cooperation, competition and negotiation for scientists (and also some artists) to play with. game guestpost participatory museum Unusual Projects and Influences' as a part of Experimonth: Race.

Museum 51

Museum Roles Game Participatory 51

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

In some ways, a design lab can be thought of as “participatory research and testing.”. Participants voted on the questions that would be most important for the Brainerd Foundation to consider in its strategy: How might we adopt a hybrid model of new and old power? How do we leverage the “rain” of culture change?3.

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

MAY 9, 2012

I led a session with Eric Siegel and Ellen Rosenthal on museum business models and some of the issues we grapple with in managing money. And I talked about some of the challenges of finding the right income and expense models for a museum that operates more like a community center than a traditional cultural institution.

Reflection 43

Reflection Columbus Museum Participatory 43

Museum 2.0

OCTOBER 12, 2017

A cheerful curly-haired deli owner stands in front of 30 of us and shares a quote he loves: "Artists live in the present and write detailed histories of the future." It was even more useful to learn how participatory writing visions can be. In the Zingerman's model, visioning is for everyone at all levels of the organization.

History 26

History Pennsylvania Michigan Indiana 26

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.

Artist 39

Artist Museum Project Public 39

Museum 2.0

MAY 19, 2010

But then an exhibit designer, Darcie Fohrman, made a comment that changed my perspective. Darcie described the Centre Pompidou in Paris as a place where she is surrounded by working artists, where things change frequently, and where she feels as a visitor that anything can happen.

Community 21

Community Museum Participatory Relationship 21

Museum 2.0

NOVEMBER 7, 2010

I'd always believed in engineering as a creative path to changing the world, and my professors encouraged that mindset. I had a healthy second life as a slam poet, and I loved the world of artists and performance. I also learned that the best money in museums for someone who's starting out is in art modeling. It is lucky.

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

JUNE 6, 2008

Now that the dust has cleared and the kids are banging on the exhibits (and showing us what we have to change next), I have the time to step back and share some of the lessons learned from this experience. Also, because this was an experiment, parameters and criteria kept changing throughout the process.

Virtual 21

Virtual Tech Lesson Develop 21

Museum 2.0

APRIL 19, 2010

When asked why these artistic directors were pursuing co-creative processes, "to make great art!" Respondents also talked about growing as artists through the process and the incredible things they learned from working with non-professionals. When an institution becomes wholly participatory, those distinctions often erode.

Arts 22

Arts Participatory Museum Artist 22