Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 25, 2011

Where her first film was a contemporary account of the Civil War in Guatemala, particularly the story of Nobel Peace Prize Winner Rigoberta Menchu, Granito is an effort to capture the history of the war through recollections and archival exploration. Guest Post by Vincent Stehle. Perhaps not.

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Guatemala Movie Artist Award 93

Museum 2.0

DECEMBER 15, 2014

When basketball players are offering more cogent commentary on racial issues than cultural institutions, you know we have a cultural relevance problem. Artists and arts organizations are contributing their spaces and their creative energies. Are staff members talking about Ferguson and the deeper issues it raises?

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Museum Blogger Cleveland Missouri 52

Museum 2.0

FEBRUARY 11, 2015

INTERNSHIPS If you want to join us in Santa Cruz for more professional learning, consider an internship at the Santa Cruz Museum of Art & History. We''re offering internships this summer in: Participatory Exhibition Design. Help take the participatory elements of this permanent gallery to the finish line. Community Programs.

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Participatory Community Museum History 20

Museum 2.0

AUGUST 9, 2011

She is a fabulous and thoughtful artist. It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. Kudos to Lisa for being open to a thoughtful dialogue about these issues.

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Museum Arts History Columbus 51

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? History Museums OPPORTUNITIES - History museums are in many ways the best-suited for visitor participation.

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Museum Difference Participatory History 29

Museum 2.0

OCTOBER 30, 2013

So consider this just the first of many posts related to issues of cultural inclusion, evaluation, and impact. As we start the process at our museum of updating our permanent history gallery, one of our specific goals is to increase intergroup understanding in our community. But how will we know if we are actually achieving our goals?

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Measure Arts People Museum 47

Museum 2.0

JANUARY 18, 2012

The common museum knowledge on this issue is that adults are timid, that we have lost some of the wonder, impulsiveness, and active creativity of childhood days. There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults. But I don't think that theory holds up.

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Interaction Design Museum Participatory 47

Museum 2.0

MARCH 21, 2012

At the museum of art and history where I work, we are grappling with the question of how to help people enjoy themselves while keeping the art and artifacts safe. In the history gallery, we have some blended props and artifacts, and it's rarely clear what is and is not ok to touch. Engagement with local artists.

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Museum Denver Artist Milwaukee 49

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.

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Museum Question Participatory Evaluation 45

Museum 2.0

MAY 9, 2012

I led a session with Eric Siegel and Ellen Rosenthal on museum business models and some of the issues we grapple with in managing money. It was terrific to have a packed room and a long, open conversation (we split the session into half presenting, half audience discussion) about these issues. History and science museums.

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Reflection Columbus Museum Participatory 43

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

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Question Participatory Museum Evaluation 49

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. We exist for people who live in Santa Cruz County.

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Build Community Museum Artist 20

Museum 2.0

JULY 18, 2017

This exhibition is a big accomplishment for us because it incorporates multiple ways we push boundaries at the MAH: we co-designed it with 100+ community partners (C3) , including artists, foster youth, and youth advocates, with youth voices driving the project from big idea to install to programming. This big idea excited us all.

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Action Childhood Artist Info 44

Museum 2.0

NOVEMBER 6, 2012

In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. Our colleagues in the Museum of Natural History were eager collaborators. This is a perfect example of a museum using participation as a design solution.

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Museum Arts Problem Design 45