Artist Collaboration Interview Music 
The Modern Nonprofit
MAY 1, 2024
Consider featuring traditional music, dance, theater, or martial arts groups from the community. Curate an exhibit of paintings, photographs, sculptures or crafts by AAPI artists. Artists, writers, and cultural leaders. Others may prefer moderated discussions or interviews. Their insights enlighten attendees.
Beth's Blog: How Nonprofits Can Use Social Media
APRIL 24, 2011
In my interview, I shared that I didn’t know a modem from microwave, but that I had the passion and curiosity to learn and teach others. They hired me and it turned into a decade of learning and teaching others (artists, arts organizations, and arts educators) how to integrate this technology into their work and organizations.
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Beth's Blog: How Nonprofits Can Use Social Media
JULY 7, 2009
They’re jocks, geeks, artists, musicians and cheerleaders…and we need their help. WEINGARTEN | Rolling Stone Music Critic| @1000TimesYes. People have awful taste…it’s all this music that rises to the middle, this boring, bland, white-people guitar music. It’s the music that the most people can listen to.
Nonprofit Tech for Good
DECEMBER 14, 2022
You can collaborate with other nonprofits in your region or in your issue area to investigate whether you can all offer benefits for each other. Creative stuff: Things unique to your organization including the ability to create art, music, poetry, dance, etc. They can be a video interview with the donor about the mission.
Museum 2.0
JULY 26, 2010
I've been spending time recently interviewing people who run unusual cultural and learning venues. It's run by Jon Rubin, an artist and professor of social practice at Carnegie Mellon, and his students. Both staff and visitors host TV programs in the space that range from interviews to game shows to salon chair ministries.
Forum One
JUNE 6, 2024
Think like a musician Those who have played music in a band or orchestra or sang in a choir understand the profound impact of an engaged and participatory audience. As someone who participated in band, chorus, and musical theater growing up, I can attest to the impact of that participation.
Museum 2.0
FEBRUARY 22, 2012
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.
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