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What I Learned from Beck (the rock star) about Participatory Arts

Museum 2.0

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). One of the things I always focus on in participatory exhibit design is ensuring that everyone has the same tools to work with.

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Why Are So Many Participatory Experiences Focused on Teens?

Museum 2.0

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Is it a problem or a great starting point to focus on participatory experiences with teens?

Teen 24
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Designing for Nonprofits: Our Commentary + Experience

Media Cause

Within Media Cause’s Creative, Brand, and Design team, one of our favorite things to do— besides creating incredible work for our clients—is sharing inspirational and educational resources with each other: articles, POVs, webinars, classes, books, case studies, blogs, tutorials, cheese. Just wanted to see if you were paying attention.).

Design 52
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Feelings and Participation

Museum 2.0

Today, I wanted to think about participatory elements, something so essential to this blog. Think of the classes where you learned the most. In this case, I find the most interesting ones to be made by artists. As you add more interactive or participatory elements to your space, I invite you to balance a variety of feelings.

Museum 35
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Which New Audiences? A Great Washington Post Article and its Implications about Age, Income, and Race

Museum 2.0

Audiences of all backgrounds found ways to connect with museums as it presented exhibitions with the help of foster youth, migrant farmers, roller-derby girls, mushroom hunters, surfers and incarcerated artists, among others. What does this list have in common?

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The Spectator Spectrum: Who Do You Count as a Participant?

Museum 2.0

We held a free yoga class in the plaza outside the museum and invited artists to come and draw/paint the yoga-doers in motion. For me, Downward Draw provided an unusual opportunity to examine the more casual end of the participatory spectrum. This is the question I've been toying with this week. They asked.

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Museum 2.0 Rerun: Answers to the Ten Questions I Am Most Commonly Asked

Museum 2.0

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Museum 45