Museum 2.0
MARCH 6, 2013
I write this piece in good faith about the organizations I know best: museums. The vast majority of American museums are institutions of white privilege. They tell histories of white male conquest. I never saw comparable adjectives used in the European art labels at the museum.
Museum 2.0
JULY 1, 2011
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. But the point is that the MAH, like just about every other museum in the known universe, was content to define the museum experience as something removed from the outside world, a rarefied church-like space of refined artistic reflection.
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Museum 2.0
JULY 11, 2012
I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).
Museum 2.0
AUGUST 20, 2009
I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Conservation: Objects may be damaged by flash photography. Yes, some people (especially vocal museum staff!) But what about visitors?
Museum 2.0
DECEMBER 7, 2017
I first read about Story House Belvédère on Jasper Visser’s excellent blog, The Museum of the Future. I visited Story House Belvédère as part of the new Intangible Cultural Heritage and Museum Projects I am involved in. The neighborhood is a mix of people and communities by design and has a rich social history.
Nonprofit Tech for Good
AUGUST 24, 2011
Nonprofits can use Dipity to create timelines that highlight their organizational history, current events, and special campaigns. Museum of Me :: intel.com/museumofme. A Facebook app that creatively displays you and your Facebook friends in a virtual museum. FrontlineSMS :: frontlinesms.com. oneforty :: oneforty.com.
Museum 2.0
SEPTEMBER 25, 2013
North Carolina Museum of History 1988.39.4 I’m always amazed when my colleagues tell me that the biggest barrier they face to “opening up” the content at their museums is from registrars—the people who care for collection objects. Followers of Museum 2.0 To me, this seems both discouraging and ungenerous to visitors.
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