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Four Models for Active User Engagement, by Nina Simon

Beth's Blog: How Nonprofits Can Use Social Media

Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. I’ve been using these participatory categories to talk about how we’d like users to participate in different projects.

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Amplifying Female Voices: Strategies for Equitable and Inclusive Grantmaking

sgEngage

As a follow-up to the Women in Philanthropy Institute’s 2023 Symposium, hosted by the Indiana University Lilly Foundation School of Philanthropy, we gathered four dynamic grantmakers to discuss how they are doing the work to amplify female voices, especially women, girls, and femmes of color, in philanthropy.

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Yes, Audience Participation Can Have Significant Value

Museum 2.0

I can't say that any one experience--working on a collage with other visitors, swinging on a hammock, discovering a participatory display for pocket artifacts in the bathroom--directly contributed to increased attendance and giving. They all have in concert, and they build on each other. Trust and love from our old friends.

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Henry Jenkins discusses participatory media in Second Life

Beth's Blog: How Nonprofits Can Use Social Media

Henry Jenkins made his first official appearance in Second Life visiting the Teen version, known as the "Teen Grid," where the Global Kids Island is hosting an event, A World Fit for Children Festival.

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Reflections on a Weekend with Ze Frank and His Online Community

Museum 2.0

This past weekend, in conjunction with our exhibition about Ze Frank's current participatory project, A Show , we hosted " Ze Frank Weekend "--a quickie summer camp of workshops, activities, presentations, and lots of hugging. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History.

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Wandering Down the "Don't Touch" Line

Museum 2.0

I grew up professionally in the science and children's museum field, where touching is guaranteed and floor staff spend more time helping visitors learn and ensuring their personal safety than they do protecting the objects. We do have friendly gallery hosts, but not every hour of the day. Low level of staffing and security.

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Techniques for Identifying and Amplifying Social Objects in Museums

Museum 2.0

I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.

Museum 41