Museum 2.0

MAY 5, 2009

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! So far, most participatory museum design projects are heavily guided by the institution. MN150 will have formal summative evaulation, which is wonderful.

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

SEPTEMBER 21, 2016

Every other year, they convene TUPAC, a group of 35 outside advisors, including teens, college students, Temple University professors, artists, philanthropists, and community leaders. Leave the process to the collaborators and give the product to the audience. You promise your audience quality and you hone your process to deliver it.

Process 20

Process Share Philadelphia Arts 20

Museum 2.0

NOVEMBER 7, 2010

At the big one, I worked on a small project with teens to design science exhibits for community centers in their own neighborhoods. I learned to appreciate the audience reach of a big institution while vastly preferring the diversity of work and lack of bureaucracy of a small one.

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

AUGUST 18, 2008

If museums get involved in these online-offline partnerships, we can bring new audiences through our doors, familiarize them with museum-going in a comfortable way, and reap the benefits of their online musings about their real-life experiences. But these events have benefits both in terms of audience development and word-of-mouth marketing.

Museum 22

Museum Hosting Model Community 22

Museum 2.0

AUGUST 25, 2009

If you feel that your audience needs monitoring or social support, position the talkback stations in open settings. There was a wonderful example at the Ontario Science Center in their Hot Zone area, which features several voting and commenting kiosks popular with teens. What have you seen work well, and what have you seen fail?

Design 31

Design Goal Difference Platform 31

Museum 2.0

AUGUST 3, 2009

This seems a little ungenerous to museums; while institutions may bestow more love upon wealthy, elderly donors than the general visiting public, museums have actively courted mass audiences for years. We're always happy for more bodies in the door, but if supporting teens means alienating seniors, there's a problem.

Community 22

Community Museum San Diego San Francisco 22

Museum 2.0

MAY 8, 2013

We''re more successful when we target particular communities or audiences and design experiences for them. In the past, I''ve subscribed to the theory that an organization should target many different groups and types of people to serve a constellation of specific audiences across diverse affinities, needs, and interests.

Museum 55

Museum Social Arts History 55

Museum 2.0

FEBRUARY 7, 2011

Museums and other venues are offering special programs for teens, for hipsters, for people who want a more active or spiritual or participatory experience. Others layer these new activities and audiences on through monthly late nights or short-term installations.

Arts 50

Arts Museum Music Calendar 50

Museum 2.0

FEBRUARY 24, 2011

I've written before about the difference between participatory processes and products , but this question of frameworks and sensibility is more broadly applicable to community engagement strategies. And other times, when I'm focused on opening up access and opportunities for audience members to partner with staff, I'm talking about framework.

Voice 42

Voice Los Angeles Denver Museum 42

Museum 2.0

MARCH 30, 2016

Teens advocating for all-gender bathrooms. They can attend first as audience members or spectators, checking out the space and getting comfortable. That means offering clear, visible, appealing participatory experiences that enhance the destination experience. Printmakers leading workshops. You get the idea.

Community 20

Community Museum Local Participatory 20