Arts Participatory Strategy Structure 
sgEngage
OCTOBER 9, 2023
Power Imbalance in Traditional Evaluation As grantmakers, we tend to monitor and evaluate our strategies and programs using metrics that we deem important. A Shared and Flexible Understanding of Impact As practitioners of and advocates for participatory philanthropy, we believe there’s a better way.
Museum 2.0
MAY 3, 2010
Last week, I attended Structure Lab , a half-day workshop on legal and financial structures for ventures for social good. Like many people in the arts, I'm interested in new models that help people combine mission-driven work with an entrepreneurial spirit.
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Beth's Blog: How Nonprofits Can Use Social Media
MAY 7, 2010
Nina has written a fantastic book engagement called The Participatory Museum. If you want a chance of winning a copy, leave a comment saying how you might apply some of the science of participation to your social media strategy. Tags: Art Sector Arts & Technology engagement.
Beth's Blog: How Nonprofits Can Use Social Media
NOVEMBER 3, 2015
While I delivered some content sessions on Facebook, Twitter, and LinkedIn strategy, I also facilitated interactive sessions. It is always challenge to use participatory techniques when your participants are not native English speakers and you don’t speak the language.
Museum 2.0
SEPTEMBER 18, 2013
Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.
Museum 2.0
APRIL 25, 2011
I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."
Museum 2.0
JULY 7, 2010
Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." This "parallel" strategy even applies to experiments in new forms of gallery interpretation. I employ the parallel strategy all the time in my work. Fabulous!" "But
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