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Co-Creating Exhibits with Teens and Volunteers: The Importance of Criteria

Museum 2.0

This summer, I worked with the Chabot Space & Science Center on a design institute in which eleven teens from their Galaxy Explorers program designed media pieces for an upcoming Smithsonian exhibition on black holes. There was no initial design, no graphics, and no idea of where the teen' work would fit into an overall structure.

Teen 20
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Memejacking: Does Your Nonprofit Dare?

Tech Soup

It's a valid technique to make your messages much more relevant, useful, and timely — qualities that can increase the number of people who read and share what you have to say. And, if you're thinking that only teens like memes, look at the range of people who drenched themselves for the Ice Bucket Challenge.

Meme 36
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How Different Types of Museums Approach Participation

Museum 2.0

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? History Museums OPPORTUNITIES - History museums are in many ways the best-suited for visitor participation.

Museum 29
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The Participatory Museum, Five Years Later

Museum 2.0

Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA. Every time we encourage a volunteer to launch her own collections research, or empower teens to launch their own program series, or invite new partners into our projects, we invite them to participate.

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Designing Talkback Platforms for Different Dialogic Goals

Museum 2.0

This technique was used in the Slavery in New York exhibition at the New-York Historical Society and continues in the popular StoryCorps project. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." A lone "What do you think?"

Design 31
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AAM Recap: Slides, Observations, and Object Fetishism

Museum 2.0

This was particularly directed at MN150, which featured visitor-nominated milestones of Minnesota history, and Children of the Lodz Ghetto, which invites users to conduct original research on the path taken by thousands of children during the Holocaust. I bought her book, Evocative Objects, and we're likely to have a Museum 2.0

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17 Ways We Made our Exhibition Participatory

Museum 2.0

Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. We used this technique to develop the prompt. After the Breakup, I." Powerful, poignant, and entertaining.