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Telling the story in a new way: Should arts leaders use impact evaluation?

ASU Lodestar Center

posted by Christopher Haines Artistic Director & Co-Founder, iTheatre Collaborative. To borrow from the song: “Art is a many splendored thing.” Art is also very subjective. Again borrowing: “One man’s trash is another man’s art.” So, what is the value of art? Recently, I attended a conference on arts education.

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Arts 2.0: Examples of Arts Organizations Social Media Strategies

Beth's Blog: How Nonprofits Can Use Social Media

I'm prepping for a workshop on Social Media and wanted do a round up of recent compelling examples of arts organizations using social media strategies and tools. I've covered arts organizations and social media here and there over the past three years and last winter co-wrote a cover story article with Rebecca Krause-Hardie for ArtsReach.

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Lead or Follow: Arts Administrators Hash it Out

Museum 2.0

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.

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Six New Games for Change: Check Out the Future of Gaming for Good

NTEN

Frontiers is a “first person shooter” style experience surrounding Europe’s migration policies. Frontiers aims to raise awareness of migration policies through unique gameplay that would be enjoyed by a tight knit gamer community. Make sure the game is targeted to the right audiences. JURY FEEDBACK.

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Don't Join the Conversation if You Aren't Ready to Listen

Museum 2.0

Here’s what happened: an art critic named Jerry Saltz posted an incendiary note on Facebook about the very low representation of women artists on the 4th and 5th floors (painting and sculpture) of MoMA. When those spaces are factored in, there are more than 250 works by female artists on view now. Let’s start there.

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Favianna Rodriguez: Political Digital Artist and Printmaker

Have Fun - Do Good

"I think about how many times I didn't like the color of my skin, because I didn't see myself in any art. I think about how hesitant I was to become an artist, because I didn't see role models, and even to this day how hard it is for me sometimes to find peers who are women of color, because of how systematically they are pushed out.

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Self-Censorship for Museum Professionals

Museum 2.0

This is not to say that science centers are more censored than art or history museums—every kind of museum has its own hang-ups. Imagine an art museum that allowed patrons to bang on the exhibits the way you can in a science center. Our desire to "protect kids"--which reflects twenty years of clamping down (at least in the U.S.)

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