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The Next Generation of Major Donors to Museums: Interview with David Gelles

Museum 2.0

Last week''s New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. David describes himself as a "museum brat."

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How Nonprofit Leaders Create An Authentic Personal Brand on Intsagram

Beth's Blog: How Nonprofits Can Use Social Media

But to be effective, nonprofit leaders also must excel at using their personal brands and voices in service of their organizations’ missions and strategies on Instagram and other social media channels. This shot is a painting at a museum visited during a professional conference for museums. Visibility. Campbell above.

professionals

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Where are the twenty-something or GEN-Y Bloggers Who Are Writing About Social Change and Nonprofits?

Beth's Blog: How Nonprofits Can Use Social Media

New Voices of Philanthropy is written by Trista Harris and it covers issues of generational change in the philanthropic sector and more broadly trends in philanthropy. Nina Simon a proud member of Gen Y, writes the very awesome Museum 2.0 blog, but you don't have to be a museum person to get a lot of value from it. Millenials???

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[VIDEO] Emerging Trends in Nonprofit Social Media Marketing

Bloomerang

Something else that we have seen that we know about COVID-19 donors specifically are that they prefer to give online and social media is becoming increasingly integral, not only in marketing programs but also in fundraising programs for nonprofits. How do I go to the fundraising page?” Live stream fundraising.

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Into the Deep End: What's Keeping Museums from Telling Meaty, In-Depth Stories?

Museum 2.0

It has introduced me to corrupt university fundraisers , the true history of Tom Dooley , and the world's oldest marathon runner. All this delightful non-fiction makes me wonder: why aren't museums great at telling these same kinds of deep, intense stories? This seems strange given that museums are organized around objects.

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